by Keiko Honda “We’re going to the Opera Zone!” said Helen, an elegant senior with silvery purple long hair and silver bangles on each wrist, sitting by her husband in the Handydart that I shared one rainy Sunday afternoon. “I think a lot of people have been waiting for this day,” said Helen. I instantly replied to her, “Truly!” After closing for 21 months due to the pandemic, the music concert was finally returning to its home, the Kerrisdale Community Centre (KCC). Although I, too, was full of anticipation, as an “ex-organizer”, I was afraid that we wouldn’t have any audience today. We were still in the midst of the pandemic and the weather was gloomy — Vancouver’s typical November of rain and gusty winds. What’s worse, we started advertising the event only two weeks in advance, mostly by word of mouth. Alas, I imagined the empty seats. During pre-COVID times, we had at least 80 guests in the audience each time, and sometimes even had a full house of 100 guests. The Opera Zone was conceived in late 2015 from a casual conversation between myself and Gerard Satamian, an Armenian composer and piano teacher who taught my daughter at the time. Gerard secretly fostered a burning passion to sing opera songs for the public, while I, as a community engagement committee chair of the KCC Society, was looking for new ways to develop an open space for inclusive cultural exchange within the community, one that took place at the centre and was free of charge. The seed idea became reality thanks to support from the board and staff members, as well as many like-minded musicians who came forward to share their gifts like Gerard. Ever since January of 2016, The Opera Zone had...

By Keiko Honda, Ph.D., MPH   What is the value in learning to draw portraits? This question goes, unexpectedly, to the heart of the shared roots of art and science. In this essay, I aim to fertilize the soil for growing a new dialogue on the role emotional engagement plays in the relationship between art and science. I have recently been watching YouTube videos on portraiture. It is fascinating to watch master artists create portraits out of a blank sheet of paper, with only a pencil or stick of charcoal. If done well, the artists can explore their own feelings about the human condition. I always wonder how these artists acquired their skills. “Open your feeling, Open your senses! The first step is the conversation,” says a passionate YouTube artist who teaches portraiture. At the instant he is rhythmically drawing a large, very loose shape on a blank sheet of paper, he exclaims, “This [his arm movement] is emotional engagement.” Right there, I paused the YouTube video I was watching and replayed that part again and again. There was some dissonance between what I heard and what I saw. I did not expect to harvest deep insight when watching a rudimentary shape being drawn on a large black sheet of paper by the artist I chanced upon on the Internet. What is he talking about? The YouTube artist explains, “Enjoy drawing. Rather than rushing into getting drawings done quickly, you need to take your time to know how to see and understand how abstract elements work together to create an art form,” Simultaneously glancing at his live model, he continues, “No need to do the proportions yet…… When you are working on composition, it is very important at the beginning to open your feeling...

By Keiko Honda It is not a coincidence that during the lockdown in the face of the pandemic, most of us looked for new ways to maximize the functionality of our home space, then found ourselves feeling more independent, competent, and comforted, despite the challenge. As many activities are happening in our homes and proximity, we have invested our practices and developed an emotional sense of deep connection with particular places – a sense of “rootedness”.  Place becomes an extension of the self.  That’s called place attachment, the concept which scholars in environmental psychology, sociology, anthropology, and human geography consider an essential element in understanding identity, human well-being and sociality, memory formation, community participation, and environmental responsibility and advocacy for the environment.   “Place makes memories cohere in complex ways. People’s experiences of the urban landscape intertwine the sense of place and the politics of space,” says architectural historian Dolores Hayden. Similarly, psychologists postulate that we lock ideas and objects by linking them to a place: integrating many stimuli together helps us remember something particularly important, called episodic memories. This pandemic has disrupted our physical connections to many familiar social places like offices, cafes, schools, gyms, restaurants, community centres, movie theaters and many more, keeping almost everyone, especially seniors and those who are at higher risk of severe illness from COVID-19, at home for seemingly endless time (until the pandemic will come to an end).  How does supposedly immobilized life imposed by the pandemic affect the way we store memories and the way we create meaning in our lives? What do large groups of people remember – and forget? It is an intriguing question for future historians. Social memory is at stake and thus deeply pertinent here. As reminded by WHO’s Healthy Ageing, being...

In freshly creased grey dress pants and a baby blue polo, Jason Robinson is dressed for business. If it’s true that, as Jason says, he’s in “terrible shape” then I would have liked to see him in good shape. At 43, he’s being modest. Even so, his business attire does little to hide a slightly older version of a former trained firefighter, coast guard volunteer and all around athlete. His clean-shaven face remains remarkably youthful; his black hair is neatly styled, his smile frequent, genuine. We’re doing a written story, but Jason looks ready for TV.