Image from Creative Commons by Eileen Chen Having a life while being in medical school sounds a bit like a paradox, but first year medical student Joshua Yoon is here to prove that it can be done. While studying as a full-time student, Joshua also serves as the chair of the Kerrisdale Community Centre (KCC) Youth Committee. He began volunteering for KCC as a youth leader since he was in high school and says that the community is “dear to his heart.” The original Youth Leaders in Action program that he participated in emphasized leadership, professionalism, and interpersonal skills, and involved collaborative event planning for various holidays and special occasions. Today, the Youth Committee still runs several community events in spite of COVID-19, such as an intergenerational tech workshop that pairs high school volunteers with seniors in the community. Joshua was initially surprised by the level of interest shown by both seniors and high school students to return to these events after the pandemic put it on hold. They followed strict COVID-19 protocols for masking and distancing, and have had several successful sessions this summer. “There are more avenues for intergenerational dialogue now, whether digital or remote or not,” said Joshua. The seniors in the program have always been more than willing to divulge experiences beyond laptop and smartphone trouble-shooting, and the pandemic has only highlighted the importance of social interaction in a time of physical distancing. Joshua notes that intergenerational dialogue isn’t emphasized by most school curriculums, which makes these community activities especially valuable to the youth. Even as a medical student, interpersonal skills are indispensable. During practicum at the Vancouver General Hospital, Joshua has to...

by Keiko Honda “We’re going to the Opera Zone!” said Helen, an elegant senior with silvery purple long hair and silver bangles on each wrist, sitting by her husband in the Handydart that I shared one rainy Sunday afternoon. “I think a lot of people have been waiting for this day,” said Helen. I instantly replied to her, “Truly!” After closing for 21 months due to the pandemic, the music concert was finally returning to its home, the Kerrisdale Community Centre (KCC). Although I, too, was full of anticipation, as an “ex-organizer”, I was afraid that we wouldn’t have any audience today. We were still in the midst of the pandemic and the weather was gloomy — Vancouver’s typical November of rain and gusty winds. What’s worse, we started advertising the event only two weeks in advance, mostly by word of mouth. Alas, I imagined the empty seats. During pre-COVID times, we had at least 80 guests in the audience each time, and sometimes even had a full house of 100 guests. The Opera Zone was conceived in late 2015 from a casual conversation between myself and Gerard Satamian, an Armenian composer and piano teacher who taught my daughter at the time. Gerard secretly fostered a burning passion to sing opera songs for the public, while I, as a community engagement committee chair of the KCC Society, was looking for new ways to develop an open space for inclusive cultural exchange within the community, one that took place at the centre and was free of charge. The seed idea became reality thanks to support from the board and staff members, as well as many like-minded musicians who came forward to share their gifts like Gerard. Ever since January of 2016, The Opera Zone had...

By Eileen Chen Photo courtesy of Eileen Chen, Kevin Wong *Permission to reprint granted by the Vancouver Arts Colloquium Society   “The location is the KCC Senior Centre, and you will probably hear our laughs when you come in,” said the founder of Kerrisdale Community Centre’s language exchange group, Kevin Wong, in his email to me. Sure enough, after my initial mistake of barging in on a group of pool-playing friends, I did find the small group through the sound of their laughter. There were about 8-10 people occupying one table in the lounge area. An elegant white lady, who later introduced herself as Paula, was reading a story about a little horse crossing a river in Mandarin. The little horse is told by an ox that the water is shallow but warned by a squirrel that it’s deep, and only discovers that the water is just shallow enough for it to cross when it steps into it himself. Paula’s accent was imperfect, yet oddly musical. Other Mandarin speakers at the table corrected her from time to time, and she enthusiastically translated the fable into English as she read along. As I learned later, the merry group meets every Monday to study English and Mandarin together. The learning methods range from reading stories to learning vocabulary and carrying out casual conversations, and members both strive to learn one language and offer their knowledge of the other in the same session. Some members find themselves learning both Mandarin and English. Kevin was originally open to having an exchange group for more than just two languages, but decided that focusing on English and Mandarin would be the most effective. The group has existed for a year in this form, and although some members come and go,...

By Simran Dhaliwal Photo Courtesy of Danielle Gagnier *Permission to reprint granted by the Vancouver Arts Colloquium Society     “The world is so big! Why do the same thing over and over?” I walked into this interview nervous, not knowing what the temperament of Danielle Gagnier would be like. To my pleasant surprise, as we began to talk over hot cups of peppermint and nettle tea, Danielle revealed herself to be a kind and patient woman with a soothing passion lying beneath her words. As we continued to converse, my stiffness faded and was replaced with excitement as I learned more and more about this remarkable artist. Speaking to Danielle was enlightening as she is one of the best examples of a truly artistic spirit. Throughout her life, she has maintained an open-minded approach to art, branching out into many fields that appear to be divided by our arbitrary categories. Danielle has ventured into pottery, mask-making, singing, songwriting, improv, dancing, guitar, percussion, photography, and filmmaking. If all of this seems excessive, Danielle would disagree, as she is eager to venture into even more pursuits, open to discover new ways to express her creativity. She has this amazing mindset of a learner, something many artists cease to do once they feel like they’ve settled into their niche. Danielle breaks the conventional rules, and I am excited to tell you about how she does so. But to do that, I believe it’s important to go to where Danielle began. Growing up in Francophone Canada, she was quiet and contemplative as a child.  Danielle appreciates that her parents encouraged her innate draw to the arts, as she tells in a heartwarming story. When she was five years old, in the exuberance of youth she took a...

  By Liam McLean Photo Courtesy of Lawrence Au *Permission to reprint granted by the Vancouver Arts Colloquium Society Four and a half years ago, Lawrence Au returned home from a trip to Japan with a new vision. While visiting a mall attached to the Tokyo Skytree, he came across a floor devoted entirely to restaurants. An advertisement for a green tea café featuring a brilliant image of a bright green Matcha drink caught his eye. The advertisement stunned Lawrence and made him curious. As far as he knew from his experience living in Vancouver, Matcha was sort of a yellowish green or brown colour, not the vivid green he saw in the mall. He decided to go to the café and find out for himself. “I ordered an iced Matcha tea and sure enough it was that colour. And when I tasted it, it was very refreshing, very rich, completely unlike anything I’ve had in Vancouver before,” said Lawrence. “And that’s when I realized what true Japanese Matcha really is and I almost instantly fell in love with it.” The branding and tea culture also left an impression on Lawrence, and he visited Kyoto later on his trip where he was further exposed to the beauty and depths of Japanese green tea history. Returning home from Japan, Lawrence searched everywhere for a similar Matcha experience but was unsuccessful. He realized that the Matcha served here was actually green tea powder and had nothing in common with the authentic drinks he had in Japan. “And so, at that point, I decided to start my own business by recreating the experience that I first had in Japan,” said Lawrence. “That was basically my guiding light: what should I do in creating a brand that would...

By Tatiana Zamorano-Henriquez Photo Courtesy of Dr. Mique’l Dangeli *Permission to reprint granted by the Vancouver Arts Colloquium Society Art plays an integral role in the process of reconciliation as it is a way in which people, nations, and cultures can “say what goes unsaid” (Dr. Dangeli). For this reason, art “has a really important place within the reconciliation dialogue and… more funding should go to supporting Indigenous people creating their art (culture and way of being) with and for their people rather than reconciliation being focused on Indigenous and non-Indigenous collaborations because we have so much to reconcile within our own communities” (Dr. Dangeli) first and foremost. The process of reconciliation itself is a challenging one, and the difficulty of this process comes in understanding what reconciliation truly embodies. I had the privilege to sit down with Dr. Mique’l Dangeli, an Indigenous visual and performing artist who holds a PhD in Northwest Coast First Nations art history , while also working as a curator and a professor. As I sat in her and her husband’s art studio, I was so encompassed by culture, histories, and knowledge that it was as if the entire room was alive. It was breathtaking and moving all at the same time. It was here, as she painted one of her collaboration pieces that she had done with her husband, Mike Dangeli, that she relayed to me her powerful words and guidance for a legitimate form of reconciliation and the role of art in this process. Through her words, what profoundly resonated with me was the following statement: “Education is important, but if the focus is always outwards and not inwards, then we are not strengthening our practices we are just practicing for others” (Dr. Dangeli). These words were striking,...

Since the beginning of this year, a new community urban agriculture project, Come To My Yard (CTMY) led by Vancouver Arts Colloquium Society supported by the City of Vancouver, has been well underway.   As Vancouver becomes more urbanized, and gardening space is harder to come by, CTMY aims to fill the gap by teaming up with homeowners who have space for a garden and can share some of that space with other community members wanting to grow food, learn more about permaculture, and connect people.  CTMY is way to form stronger, healthier communities. If you are looking to connect with nature and like-minded people, there is one CTMY garden in the heart of Kerrisdale. There are 2 accessible raised beds (wood donated by Kerrisdale Lumber) that are allocated to any community members who would like to garden. Please go check it out and sign up. It’s FREE and OPEN to all abilities. For more information, check out their FB page or email to contact@myvacs.org  ...

BY LIAM MCLEAN PICTURES BY SYED MUSTAFA *Permission to reprint granted by the Vancouver Arts Colloquium Society This past month, I had the opportunity to have a conversation with Kathy Sayers in her bright and comfortable condo to talk about her experiences with cohousing in Vancouver. In the past few years, Kathy has been working alongside her community at Our Urban Village to integrate a successful cohousing community into the urban space of Vancouver. Along her path to forming a cohousing community in Vancouver, she and her team would face many unique challenges. “Because Vancouver is so pricey, we decided to look at cohousing from a different angle, and that is to try to find an innovative developer that would work with us,” said Kathy. “[The developer] would own the land and we would have less say about what the building would look like. And most cohousing, they [the community] make every choice. They hire the architect and they buy the land. [But] it’s at least 6-8 million dollars in Vancouver.” Over the course of our conversation, Kathy explained to me how her group adapted the cohousing model to make it work within the limitations of an expensive city with its many high-rise buildings. We also talked at length about the values important to building and maintaining a healthy cohousing community, and how these communities thrive on a sense of interconnectedness. By sharing with me her experiences, Kathy taught me about the growing popularity of cohousing in Vancouver and its role in promoting social connections that may potentially solve feelings of isolation in the city. To bring cohousing to Vancouver, Kathy and her group at Our Urban Village had to discover a way to adapt the cohousing community model to the urban city and...

By Haroun Khalid  *Permission to reprint granted by the Vancouver Arts Colloquium Society In March 2016, more than 20 years city planning and policy efforts came together when the City of Vancouver officially purchased 42 acres of land passing through neighborhoods from False Creek to the Fraser River. The new Arbutus Greenway project, already accessible to cyclists and pedestrians, aims to offer a shared passageway connecting Vancouver’s residential and public spaces. What’s particularly interesting about this endeavor is that the Greenway offers an exciting chance to see how public art ventures intersect with the process of urban development. To learn more, I sat down with Maggie Buttle, the Senior Project Manager of the Arbutus Greenway Project, and Eric Fredericksen, the city’s Public Art Programs Manager From an artistic perspective, the realization of the Arbutus Greenway represents a chance to open up new spaces in the city for creative expression. So as to integrate art completely with the design process, Mr. Fredericksen explained that: “We now have an art consultant form a core part of the development team.” On this subject, Ms. Buttle added “this inclusion of artists in the procedure is meant to bring new perspectives and a different focus” to the city planning approach to prevent shutting down valuable opportunities to foster a creative and inspiring city. The development of this “art intelligence,” as Eric called it, enables the planning process to more holistically reflect the cultural environment of the community. The implementation of an urban development plan on the scale of the Arbutus Greenway is a lengthy affair, and is at the moment still in the early days. However, the prospect of bringing about the Greenway has been on the City’s horizon since the Arbutus Corridor was first highlighted as a potential site...

By Lara-Sophie Boleslawsky Photo courtesy of Brian Feldbloom Permission to reprint granted by the Vancouver Arts Colloquium Society If you’re an animal-lover, this one’s for you. Sitting down and talking to Brian about his recent venture into the pet food industry, I didn’t really know what to expect. Of course our conversation invariably strayed to our pets, nonetheless the real story lies in-between these small pockets of pet-talk. ‘Naturally Urban Pet Food Delivery’ provides free delivery of pet food all throughout Vancouver, the Lower Mainland and Burnaby. It’s simple: pet-owners order their food on the Naturally Urban website and its delivered right to your door. Did I mention it’s free? I was fascinated to know what prompted Brian to start this business: “The reason I started was, I had my doggy, and we switched her over to raw food. I was a flight executive at Flight Centre and I used to have to work late and then I would have to run home, get my car, and drive out to the pet store before it closed,” Brian told me, “And I thought, this is so annoying, its such a stress and I thought: ‘There has to be a better way!’” And so, Naturally Urban was born, with Brian looking to service a need, one undoubtedly shared by many pet owners throughout Metro Vancouver and beyond. “The two markets right now that we are doing well with are seniors and people with disabilities and physical challenges. We love helping them,” Brian shares with me, but emphasizes that the service is available for anybody to use. Convenience is one Naturally Urban’s main functions. Brian cites his colleague Kris McRonney as an “integral” part of his business. “I mean, my business associate Kris has been with me from...

By Tatiana Zamorano-Henriquez* Photos by Syed Mustafa* My background is Chilean-Canadian and having a Chilean family the values and morals that many Chileans have are profoundly rooted in family, social interactions and relationships. In the older generations of Chilean culture the collective and community was what bonded people together and was always cherished over individualist aspects of life and over the work life. An example of this in Chile that still occurs is the entire city shuts down for dinnertime. The workplaces close and people are given an hour to two hours to go home and sit down with family friends and coworkers and are encouraged to socialize over a meal. This system in Chile is a structure that promotes and inspires social interactions and forging social ties to fortify the sense of community, and although Chile’s structure has evolved and has been influenced by consumerist and individualist ideals from North America it still holds true to this system where social interactions and community is of central importance and as a result, sense of belonging and community has not dissipated in Chile and these principles can be found across the country. Thus, these ideals that made these interactions and community priority were always a part of my life. When I was young my days were filled with love, laughter, stories and endless conversations, these days were the happiest days of my life. Growing up I was encompassed by my family, we lived in East Vancouver on Venables Street in a vintage white house bordered with a light blue trim. I remember it as if it was only yesterday, walking up the blue steps of the house I opened the giant wooden door to my grandparents house, I remember my heart was always filled with happiness...

By Liam McLean* Photos by Syed Mustafa* Arriving in Vancouver from Hong Kong in 1980, Kevin Wong understands the difficulty of learning a new language in a foreign place. As we sit in the Kerrisdale Community Centre, his hand holding a book that will foreshadow the content of our conversation, he tells me about his first encounters with the English language in Hong Kong and in Vancouver. “When we were in Hong Kong we had English classes, but they are just basically grammar,” said Kevin, “Because every day we just spoke the Chinese [Cantonese]. We seldom used English in writing, speaking. So, basically when we came over here […] it was quite difficult to communicate.” After arriving in Canada, Kevin first attended Langara where his struggles with English continued, failing his first two attempts at a required first-year English course offered by the English as a Second Language (E.S.L) program. For Kevin, those early days of learning a new language were made more difficult since “everyday you have to encounter people [who speak English] and some people they talk really fast and don’t have the patience to say it again. Then you just have to guess what they’re talking about and half of the time you guess wrong.” With his sights set on attending Simon Fraser University, it was vital for him to understand English well enough to acquire the necessary transfer credits from Langara and to communicate in daily Vancouver life.          Kevin’s struggles diminished during his third attempt at the English program when he received the proper aid to accommodate his learning style. “The turning point was the teacher,” Kevin said, looking back at that third class, “She actually taught me the basics of grammar and she had the...

  By Susan Tsang Photo courtesy of Judith Lam  I caught a glimpse of being a woman nearly sixty years old as merely the beginning; the beginning of making her dreams come true. Judith Lam and Yoko Ogawa, who both looked much younger than their actual age, were noticeably two different styles of personality. Judith was an assertive speaker while Yoko had a gentle persona. However, both were smiling cordially, open to have a discourse about their upcoming collaboration focusing on transforming Japanese kimonos into modern fashion, while letting me to have a glimpse into their friendship and who they are. I was immediately intrigued when Judith and Yoko said they were excited to dive into the project without concerning whether or not their creations will be completed like they had envisioned. Judith explained, “It’s more that when we get older, the more we catch every moment,” so the two inventive women had no time to be tied down by clients or deadlines, worries or uncertainties; they simply act and live the most fulfilling way at the moment. Judith and Yoko are two long-time friends who met in the seventies in Bunka Fashion College in Tokyo. After graduation, they had begun different expeditions in the fashion industry, all the while, harboured the same passion. Judith established her design company in Hong Kong by catering to the Japanese market. Yoko worked in a team that specialized formal attires at an extensive Japanese company. The pair had sprouted from the same seed of dream and grown into separate branches, but their love for creating fashion was of the same root—both Judith and Yoko had loved drawings and sewings since young. Judith said, “I still vividly remember when I was young, like Grade three or four, I...

By Lara-Sophie Boleslawsky Photo courtesy of Dundarave Olive Company Our dining room table has become a ‘lay-away’ zone. One of those places where you temporarily “lay-away” something that you will probably use later, but you don’t exactly know when. Amidst school notices, calendars, pens strewn here and there, and advertisements, declaring in bold yellows and reds the “Super Saver” markdowns in our local retailers. Pushing aside the impending avalanche of stuff, my mother and I settle down for what I would term the most nerve-wracking interview in my life. I relish getting to spend time with my mother, we rarely sit and talk anymore; most days are spent in a flurry of school lunches, book-keeping, business management on her end and endless papers, midterms, and extracurriculars on mine. Yes, we live in the same house, but some days it certainly doesn’t feel like it.  Interviewing has always been for me an intimate affair, a brief encounter through which I must pull from the subject an array of emotions and inspirations that are often lodged deep inside. But time and time again the result is profoundly rewarding, this interview with my mother incredibly so.  Growing up, I had the amazing opportunity to be immersed in the everyday practices of the food industry. My parents were self-employed bakers and my earliest memories included devouring excess cookie dough, icing and freshly baked buns. As joint owners of Dundarave Bakery in West Vancouver,  every morning, my father would wake up at 3am to begin mixing, rolling and kneading the dough, with my mother often joining at 5 or 6am to begin with the daily pastry prep. I would often join them, walking around, putting my grubby hands in places I definitely was not supposed to, if only to get a...

By Susan Tsang On a busy Monday morning, the councilor of the City of Vancouver Adriane Carr set aside some time for the Vancouver Arts Colloquium Society (VACS) to have an open conversation about her life. VACS president Keiko Honda facilitated this candid and engaging dialogue with Adriane on the topic of aging women and this spiritual journey throughout her career. Adriane talked without any intimidation of a politician and gladly shared her life experiences growing up in Vancouver as an environmental activist. Family Makes Adriane Carr Adriane had been blessed with love growing up in a multigenerational family house that was first inhibited by her great grandparents from Europe. Naturally, when asked about her role models, Adriane said that her parents are the people that have strongest influence in her life. “Even when my mother was ill, there’s always positive things she focused on—she would ask people around her, like the cousins and friends who visited, how they were doing. There’s always a sense of curiosity towards people and their circumstances.” There was another episode that stood out to Adriane in her upbringing that shaped her to accept deviant beliefs. “When we were in Nelson, Kootenay, there was a lot going on with the Doukhobors—a Russian religious group. One of its religious sects was creating some political difficulties such as burning down their homes.” Despite the warning from the community, Adriane’s mother instructed her “to go get the basket” to attend the Doukhobors Farmers Market that they would always go to. Her mother said that “they were good people, they grow good food.” Adriane had seen that she should appraise people fairly regardless of the social norm.  “My mother also encouraged me to seek my dream. She will never be held back by...

By Susan Tsang At one thirty-eight in a clear May afternoon, steady streams of nine to twelve-year-old students participating the Vancouver Regional Heritage Fair filed into the Seniors’ Lounge at the Kerrisdale Community Centre. They were all armed with folded poster boards that were half their sizes and equipped with presentation models that they had prepared for months, ready to present their research topics on Canadian history to the visitors. The visitors’ questions and the presenters’ answers outperformed each other generating an escalating hum like rushing water. At the edge of the floor, I met Elwin and the story of Hudson locomotives of the Canadian Pacific Railway (CPR) from the nineteenth century.  After detailing the origin and contributions of the trans-Canada railroad, Elwin said, “We need to pass knowledge on. How would anyone know the steam engines existed if we don’t pass it on?” A question immediately rose to my mind: why do we need to impose our history onto someone else? Steam engine is an old technology, why do we bother to learn about it? It seemed like it has a commonsense and straightforward answer, but I wanted to take the opportunity of being at a history event that allows me to dig answers from our young generation. I, too, had a research question and wandered through the corridors of the past.   Elwin with his Royal Hudson project. As I was getting lost in my thoughts, the lively presentations invited me to learn about the residential schools, Cirque Du Soleil, and the evolution of the Canadian stores. My editor also suggested to me to have a conversation with Isaac and the blacksmiths. Right away, Isaac asked me what I had already known about blacksmiths. He then invited me to do a simulation...

By Lara Boleslawsky While Upcycling may be a new comer on the sustainability scene, it is unjust to simply call it a trend. Upcycling is a way of life. Upcycling breathes new perspectives, new ideas, new life into everything it touches. But what is Upcycling?          Just ask Colleen Rhodes, the creative and executive genius behind Meins Designs, a local sewing business that promotes Upcycling in the fabrics of its design.          “Upcycling to me means taking something that you would normally throw away and making it into something new. It means making something new out of the old,” says Colleen. To showcase this amazing new concept, Colleen will be participating in the new Skill Share series; a new and exciting community engagement project brought together by the Vancouver Arts Colloquium Society. Colleen and Skill Share have partnered in order to promote and teach local communities about the social and environmental impact of Upcycling.        Skill Share is an initiative centered around the mandate that everyone has a skill, an art, a talent that they can nurture and grow and eventually develop for the purpose of teaching others. Colleen is one of the featured artists in Skill Share, as she will be teaching and supervising sewing workshops, all of which circumvent the main theme of Upcycling. The workshops take place once a month, with each catered to a specific project. These include: leg warmers made from an old sweater, skirts made from unused jeans and wine or produce bags made from unwanted shirts and sweaters.          “You don’t need to get everything brand new. Today everyone thinks the bigger the better, but it doesn’t need to be that way,” Colleen remarks. Through ‘Upcycling’ unused, and perhaps even unloved, clothes becomes re-purposed and...

By Sean Yoon   Every life is sacred. Choosing to embrace non-violence, peace and love as a way of life, Magdaleno “Leno” Rose-Avila is a human rights activist. After Martin Luther King Jr.’s death in 1968, someone came to him and said, “You have to stand up today. If you love Martin Luther King, then you have to defend what is right.” That is when Leno made a promise to himself that he would dedicate his life to helping people. From that moment forward, he became an activist and started demonstrating and defending human rights.   “If you don’t value other people’s lives, why should they value yours?”   For over a decade, Leno has worked with former gang members in El Salvador and LA through the organisation he started called “Homies Unidos,” or “Homeboys United.” Homeboys United worked with former gang members and youth to help them break away from violence and gain life skills through education programs, employment programs and various forms of mental health support. Leno recalls listening to former gang members for 90 days before he even said anything to them. “How can I talk to them if I don’t know their reality?” He said. “Most of the time we don’t take the time to listen, we always have an answer for somebody. What about listening? What is your pain, what are you thinking, where are you?” Leno came to discover that the people he met with were often very smart, but they were poor and have had very few opportunities to lead lives other than through violence.   What is the value that we place on a person’s life? Leno once had 70,000 dollars in his retirement account. He spent it all to start Homeboys United, and then put...

By Katherine Dornian Photo Courtesy of Bhavna Solecki Therapist, businesswoman, activist, healer, philosopher – it’s difficult to pin down an exact title for what Bhavna Solecki does, since her work is all-encompassing enough to defy simple description. As the founder of Inner Evolution Healing Centre and now as a member of the planning committee for the Kerrisdale Permaculture Garden, Bhavna seeks to foster mental, spiritual and community balance in everything she does. For the past 15 years, Bhavna has run her holistic practice with the goal of building communities around the pursuit of “mindfulness” – the harmony of the mind, body and soul achieved through healing foods, meditation, exercise, and other curative pursuits. Though she holds a BA in psychology, her practice is primarily based upon Shiatsu and ancient Indian and Chinese medicine. It also features a significant amount of spiritual counselling, which she believes is directly linked to mental and physical health. “Doctors may try to take away pain,” she tells me. “But you cannot do that unless you first identify its source.” Because of this, Bhavna finds that therapy becomes a very immersive experience; she cites the paramount importance of fostering relationships with her clients, putting empathy at the forefront of her approach to healing. “If you don’t feel it, you can’t help,” she says, and makes a point of telling me that she uses the word “help”, not “treat”. Her process must be team effort with the individual, who must be willing to fully participate. Since she gives full autonomy to her patients, she trusts that they will take that step towards healing when they are ready, at which point she is truly able to help them. It is this act of trust that Bhavna states is one of the most...

By Lara-Sophie Boleslawsky Photo by Noriko Nasu-Tidball     “When I teach, I am motivated by the students, rather than the content.” Bassett begins her interview citing her teaching doctrine. Her remarkable journey is peppered with people, daily encounters, art…in short, a cultural interaction with the Japanese language.           Nestled in the midst of the vibrant neighbourhood of Kerrisdale, Martha Bassett and I sit, enjoying the view of misty trees and dew-covered leaves and bushes before us. Bassett is currently a Japanese language teacher at the Senior Campus at St. George’s School in Vancouver. Yet, she is far from just an instructor in the language: Bassett is responsible for the inauguration of the Japanese language program at St. George’s. Since 1992, Bassett has been sharing her love of Japanese language and culture with her students. “In order to sustain interest, there is a lot of other stuff we do, other than language,” Bassett remarks. Indeed, in addition to the language itself students in her classes are exposed to Japanese food, film, history and art, to name a few.            We enjoy green tea, imported from Japan; its delicate simplicity seems to reflect our tranquil surroundings. It is here that we begin Martha Bassett’s remarkable journey. And it is here that we return full circle, like the ever-rising sun.                      Despite being born and raised in Southern California, Bassett remarks that Japanese culture was always a part of her early childhood. Her father, being a soldier in the Second World War, regarded the Japanese as a “worthy enemy” and Bassett recalls, “Asia was always in the background”. Her appreciation for Asian culture suited her well in her early adult years when Bassett found herself wanting to travel. With little formal education, Bassett was inevitably drawn...