By Katja De Bock Photo Courtesy of Rachelle Chartrand   When Rachelle Chartrand was performing yoga at her sister’s home in Beaumont, Alberta shortly before her 39th birthday in 2011, she had a vision of herself turning into a butterfly.   “It was about a week before my 39th birthday and all babies born in 1972 dreaded turning 40 and I was like ‘Bring it on’,” says Chartrand, who at the time came out of two hard years after a divorce.   She instantly understood this as a chance to finally turn from a scared little girl into a woman.   Chartrand decided to write down her journey and publish it as a book. But she wanted to be honest, without sugarcoating, after having felt like a fraud most of her life. A life that included an early loss of virginity, bulimia, alcoholism and two broken marriages. Her goal at the time: Making 2012 the best year of her life.   Fast forward two years and here’s Chartrand today, a beautiful woman radiant with the joy of her achievement.   Chrysalis is not your typical Sunday-afternoon, cozy-corner memoir that can be easily consumed with tea and cookies. Chrysalis can be fascinating if you like raw, honest dialogue and a no-nonsense attitude. Even though Chartrand says she did not write the book as a form of therapy, it touches on methods such as Emotion Freedom Technique and Emotion Code, as these are practices she used to come to terms with her past.   Chartrand does not mince words in some passages of Chrysalis when reminiscing her loss of virginity at a young age, the inability to speak with someone about this shocking event and the resulting mental pain she suffered throughout her adult relationships with...

By Katherine Allen & Laura Kosciecha Photo Courtesy of Katherine Allen & Laura Kosciecha     Building Caring Communities (BCC) is an Asset Based Community Development initiative that strives to foster meaningful connections in community. We do this by discovering the gifts and interests of individuals or groups of people (associations). The role of the Community Connector is to remain curious all the while searching for welcoming people and places. By spending time in neighborhoods, we are able to build a map of the assets there – the gifts and interests of neighbors, local businesses, best cafes, friendly faces, and welcoming places. Community Connectors often meet people who are in search of something; whether it be a friend, a helping hand, a space, or a mentor. Our role is to help thread a web of connections in an already-abundant community. Much of what we seek is already there, but perhaps we just didn’t know it yet, or had to adjust our lens to see it. We do this because we believe the more connected a community, the more vibrant, safe, and welcoming it is – for all members of the community. Following are some stories that capture the essence of our work.   The Little Garden That Could   Goodlad community garden, one of the original Can You Dig It community gardens, is nestled behind a friendly residence in Burnaby and has12 garden plots, a greenhouse, compost piles, hazelnut trees, grapevines, and picnic tables. Over the years, despite much effort to engage neighbors and gardeners, the garden had yet to flourish, and the vision of a thriving community space had yet to be realized.   This past spring, BCC collaborated with Can You Dig It to make this original vision a reality. After many conversations...

By Haley Cameron Photo Courtesy of Pia Massie   Pia Massie was working on independent film No Words Will Ever Do in Geneva when she decided that Vancouver would be her next home. “I had moved almost every year for thirty years,” Massie says. For the fearless artist/activist, who calls herself a fish in need of water, Vancouver seemed an obvious choice. “I flew here for five days twenty-eight years ago and immediately knew I wanted to stay.”   Proximity to the Pacific wasn’t all that made Vancouver appealing. Massie wanted to live in an English-speaking city with a thriving film community. In the end it was the community as much as the ocean that solidified the deal. “It makes it easier to do your work as an artist knowing that there are others working on the same thing; there’s a place for dialogue about effort,” she shares. Thanks largely to a supportive local film industry, Massie was able to focus on the documentary stories she felt passionate about. Apart from a six year hiatus that took her back to her hometown of New York City, Massie’s love of the west coast has supplanted her nomadic ways, making Vancouver her true home.   Massie has always been one for recognizing great opportunities as they arise. Perhaps most notable in her captivating story are the two years she spent training under National Living Treasure calligrapher, Shiryu Morita. Massie was working at an art gallery in Kyoto, Japan when the honorable Sensei happened to see her work and requested to teach her. That she had no formal training in shodo, a form of Japanese calligraphy, and had no intention in seriously pursuing the art form, didn’t stop him. “My boss explained that to refuse Morita Sensei...

By Mormei Zanke Photo courtesy Kristi Douglas Whether you’re looking for a little community spirit, a place to make a new friend, or even some straight up R&R, look no further – the Kerrisdale Community Centre’s got your back!   The KCC offers more than 400 programs in one season and is always coming out with new fresh ideas to keep people involved. They offer youth, adult and senior programs ranging from anything to Ballroom Dancing to Brazilian Jiu Jitsu.   Everything at the KCC runs so smoothly that it’s easy to forget who’s behind the organization that makes the facility function.     Kristi Douglas is the Centre Programmer at KCC and she as well as a dedicated staff team and the non-profit Board of Directors are the people responsible for making the magic happen at KCC.   “I grew up in Kerrisdale, came here as a child. I always had a great draw to the Community Centre, I would always do things here,” says Kristi.   Kristi even took a dance class at the centre when she was six. She continued to take classes in her childhood and even throughout university was the Kerrisdale Community Centre tennis instructor as well as a daycamp leader. Her involvement strings from a great passion for the community and a desire to give back.   “I have a deep passion, having come through these doors and taking these programs, I have an appreciation for the past and care for the participants and people that take the programs. I make sure we offer the best we can for them.”   Kristi didn’t always know her future lay in recreation. In fact, she had no clue that was even a possible career option.   “I thought maybe teaching,...

By Dave Wheaton Photos Noriko Nasu-Tidball Peter Lambert arrived at Keiko’s house dressed in his outdoor gear, sporting long blonde hair and big yellow backpack. After making introductions and settling into the living room Peter reached into his yellow backpack and pulled out a strange green vegetable, covered in dull spikes, looking like the kind of thing that might electrocute you if you got too close.  “I have no idea what it is, so if you guys know anything that’d be good”, he says. Peter had gotten the fruit one day while picking apples around the Point Grey area. The lady who had given it to him spoke no English. It might seem like an odd thing to hold on to, this unidentifiable vegetable, but for Peter this strange food is a chance to learn. Why bother with Wikipedia when you have the chance to actually hold a foreign object, and find out for yourself how it works? It’s this attitude of “learning by doing” that makes Peter such an inspiring person. “It’s a fun thing” he says, “You get to meet some good people and make some connections. You see them on the street and get to say hi”. Peter shows how incredibly powerful it is that two people who can’t communicate through language can gather around a piece of fruit and share an instant connection.                   Other odd mysteries from Peter’s yellow backpack included the bark of a cedar tree, two varieties of amaranth seeds, a piece of shaped and smoothed wood, and some children’s toys. For everything in the bag Peter had a similar story of learning and connection.                   Peter pulled out a couple of the children’s toys, a small puzzle and a plastic alien attached to a parachute. “We...

    By Haley Cameron Photos: Noriko Nasu-Tidball   When Etsu Inoue first came to Vancouver from Fukuoka, Japan back in 1989 it was to explore. The twenty-four year old had caught the travel bug while working for a Japanese airline, prompting her to apply for a Canadian working holiday Visa. Fast forward twenty-five years and Inoue is still exploring — but these days it’s with water colours and calligraphy.   “There is so much more nature here than in Japan,” Inoue shares, explaining how she came to stay in British Columbia and what inspires her creative work. “And there is quite a strong community of artists,” continues Inoue, a member of the Federation of Canadian Artists who is graciously appreciative of her local support systems.   When Inoue first landed in Vancouver she remained in the tourism industry, working with a local tourism company until 9/11 and SARS fears began to hurt the travel sector. “That’s when I started pursuing my art and calligraphy more seriously,” she shares.   Inoue first began studying calligraphy at the age of eight, when it was introduced to Japanese children as a part of their regular academic curriculum. Since leaving Japan, Inoue has continued to train under the guidance of her master, whom she calls Kisui, using his artist name. “I’m still learning,” laughs the humble student, explaining that she sends her work back to Japan for feedback once per month.   Her water colour work is an entirely different story. “It is all self-taught,” she says. She began pursuing painting professionally fifteen years ago. “Before that it was always a hobby; I love painting very much,” says the artist. Inoue has customized her watercolor painting by incorporating materials traditionally used for calligraphy. “I use the washi...

  By Dr. Richard Niles Photo courtesy Dr. Richard Niles   I have been a professional arranger in popular music since 1975. Most people, even some musicians, have little idea what that means. Many think that studio musicians make up their parts in a joyous act of spontaneous inspiration. So what do arrangers do, anyway? Consider the explosive, instantly recognizable brass melody in the opening bars of “Dancing In The Street” by Martha and the Vandellas. Who wrote it? If you assumed it was written by the songwriters, Marvin Gaye, William Stevenson and Ivy Hunter, you would be wrong. Paul Riser, one of Motown’s staff arrangers, composed that melody and decided on the instrumentation of trumpets, trombones and saxophones to play it. Riser, usually un-credited, composed instrumental lines such as this to enhance many hits and act as a “hook” to the listener, encouraging them to buy the records.        My book presents the work of some of the most influential arrangers in pop, artists who have been uncredited, undervalued and misunderstood. Yet, despite being “invisible” to the public,  during a critical period of popular music history arrangers have played a significant part in the evolution of musical genre and content. In the U.S. arrangers have the opportunity to be recognized by the Grammy  Awards in two categories—Best Instrumental Arrangement and Best Instrumental Arrangement Accompanying Vocalists. At least winners and nominees can use this to promote themselves and bring in more offers of work. In Britain and the rest of the world there is no such award. The financial rewards of an arranging career are limited. Arrangers are paid a fee for each job. It’s not huge. Keep working, get jobs in every week and you can pay the mortgage. Arrangers receive no royalties unless they...

Choreography and performance: Salome Nieto Artistic Direction: Eduardo Meneses-Olivar Exploring the scope and depth of her Mexican culture and bringing her curiosity over its marvelous reality and surrealism as the starting point for this work, Vancouver’s Salomé Nieto uses religious iconography, beliefs and traditions as inspiration for this work, an investigation into the themes of devotion, ritual and myth. Camino al Tepeyac is a metaphor for the convergence of two cultural and religious beliefs in one female deity that is the origin and end of all things. The Mexicas called her Tonantcin (Our Mother Coatlicue) and after the conquest her name became Virgin of Guadalupe and the Mother of the Mexican people in the Catholic faith. pataSola Dance wishes to acknowledge the support of the 2014 International Butoh Festival in Argentina, the project “Puedes Volar Mariposa” directed by Master Gustavo Collini-Sartor, the auspice of the Mexican Embassy in Argentina and the Canadian Embassy in Argentina during our stay in Buenos Aires, and the support of Canada Council for the Arts, the BC Arts Council, the Province of British Columbia and Shadbolt Centre for the Arts for the full production of Camino al Tepeyac. Camino Al Tepeyac runs from Wednesday November 19 2014 to Saturday November 22 2014 in the Studio Theatre Reserved 6450 Deer Lake Avenue Burnaby BC V5G 2J38 pm Approximate running time: 120 minutes Ticket through box office 604-205-3000 Tickets are now available to purchase at tickets.shadboltcentre.com Here is the sneak preview of Camino Al Tepeyac    ...

By Haley Cameron  Photos: Noriko Nasu-Tidball   When Wendy Sparrow first began to learn Salish weaving, her sister, Debra, wasn’t particularly interested. “At that point I was into my own jewellery design,” explains the striking Musqueam woman with a commanding yet nurturing presence that inspires instant respect.   Fast forward a few decades and Debra, perhaps best known for her design of Team Canada’s 2010 Olympic jerseys, is a celebrated weaver whose reputed projects are just as practically functional as they are powerfully artistic. But above all else her work is historical.   It was ultimately a longing for history that inspired the two sisters to pursue Salish design. They were lost, Debra explains, and yet inspired to learn their purpose. “In order to know ourselves we had to know our own histories,” she says eloquently, her sentences flowing like carefully structured prose. “It was never about becoming an artist but rather becoming who we truly are.” The two abandoned their “little girl toys” of drugs and alcohol in order to listen for direction from their ancestors.   For Debra, that internal search quickly led to a curiosity for design. Sparrow, whose brother is the current Musqueam chief, is careful to explain that “art” per se does not exist in Musqueam culture. “Everything made is made to be used,” she outlines, describing how even the most ornate and decorative creations had a purpose in ceremonial practices. Her own interpretation is not that art doesn’t exist, but rather that “everything is art.”   “Growing up we were only really exposed to Northern design styles,” Debra says, explaining that the history they did know was never presented visually. “We grew up hearing it but not seeing it,” she continues, noting that while she knew the iconography...

By Dave Wheaton Photos: Noriko Nasu-Tidball At Keiko’s home, she, Noriko, and I met with John MacLachlan Gray. I think the best way to describe John is as a modern day Renaissance Man. I say this because it seems that whatever John attempts, whether it’s theatre, novels, film, or television, he knocks it out of the park, earning awards like the Governor general’s medal and the New York Film and Television Gold Award along the way. He’s best known as the writer of the 1982 international, award-winning musical Billy Bishop Goes to War. But despite his early success, John never slowed down. He continued to turn out top quality plays, novels, movies – you name it. In addition to fiction writing, John has written for both Globe and Mail and The Vancouver Sun, and written and performed for CBC’s The Journal, all while finding the time to raise two boys with his wife Beverlee. It all sounds overwhelming, but to him it’s simply writing for writing’s sake. “I write because I feel like writing, not because I’m ambitious or anything”, John told me, after asking him if he has any plans to wind down and retire. John takes a seat in the living room opposite Noriko and I and settles into a cross legged Zen-like pose. As he talks, you notice this habit he has of moving his hands in sync with the rhythm of his speech. Since the year 2000, John has been writing thriller novels. His earliest is titled A Gift to the Little Master, set in a version of modern Vancouver “where everything has gone wrong”, according to him, and in 2007 he completed two historical thrillers set in London during the Victorian period. “What have you been working on lately?”...

By Aryan Etesami Photos courtesy of Tim Sullivan    Tim Sullivan, a local contemporary abstract artist, was born into an Anglophone family in Montreal, Quebec in 1946. Ever since childhood, Tim had a ceaseless interest for various art forms as well as philosophy, and spirituality. Despite his passion for the arts, Tim decided to pursue a career in his other area of strength, the sciences and specifically Chemistry. He obtained his Bachelor of Science Honours and later his Master’s degree in Chemical Kinetics from Concordia University in Montreal in 1971. He then moved to beautiful British Columbia to further his Chemistry education at Simon Fraser University, where he left as a Doctoral Candidate in 1974. While Studying at SFU, Tim spent 5 months in London, England on what turned out to be a life-changing odyssey for the future artist. There he embarked on a journey of self-discovery and enlightenment, and came to the realization that Chemistry is just not what he was born to do! Following his return to Vancouver, Tim left the PhD program at SFU and took on a number of jobs as a chemist before changing course to studying Psychology; he was accidentally re-introduced to art in his late 40’s when a romantic partner gave him a book to read: “The Artist’s Way” by Julia Cameron. After reading the book, he immediately purchased the necessary supplies and started experimenting with paints and canvas, using his creativity. Tim’s reunion with his artistic side was followed by a series of demanding posts as a counsellor and a trainer for a mental health facility, as well as the responsibility of raising a child, which together would not allow for him to focus on art. The fire had already been lit however and as soon as he...

By Haley Cameron Photos: Noriko Nasu-Tidball   Mary Bennett has always been an artist. These days the longtime Kitsilano resident– “Kit-sil-eye-no,” she laughs, emphasizing the original pronunciation– incorporates collage and acrylics to produce two dimensional mixed-media canvases. Her favourite theme right now? Birds’ nests. But if you ask Bennett, her primary creative outlet is not painting.   “Creating a sense of community is my true art,” says the middle aged woman, who is retired from her executive role on the Canadian Unitarian Council, but just getting started on a career close to her heart. Bennett is quick to explain that community building has been a personal priority for as long as she can remember. A self-proclaimed Community Engagement Leader, Bennett can trace this passion back to her childhood.   “When I was in grade 5 I organized a birthday for my teacher,” shares Bennett, with a smile that reveals just a touch of her 10-year-old self’s pride. Fast forward a few decades and she’s still organizing gatherings as the Celebration Planner & Housewarming Coordinator at Kits House.   Bennett, a North Vancouver native, has known that she belongs in Kitsilano since she first planted herself on West 4th to sell tie dyed scarves in her twenties. “Kitsilano was all hippies then,” she laughs, not denying the classification altogether. The job sparked a lifelong love affair with the Westside neighborhood that has ultimately led Bennett to her latest role in the local neighborhood house.   Bennett studied Art Education, through a program that included studio training, before taking more of a Human Resources route with her career. Her corporate background is in team building and communications, but it wasn’t until she joined the Vancouver Arts Council that she realized how complementary these two avenues could...

Text and Photos By Valerie MacGregor-Rempel www.valeriedrempelphotography.net http://valeriedrempelphotography.blogspot.com/  My journey to British Columbia started off with a friendly request from a college and friend Timothy, artist/owner of Timothy J Sullivan Studio on Bowen Island. BC.  As am Humanitarian/Social Photojournalist and Women’s Advocate/Life Coach, I know my journeys are always filled with so many amazing stories and experiences.   British Columbia is a beautiful provinces and the scenery is eye candy to a photographer. This experience honestly touched my heart in so many ways. I new the BC’s landscape would be spectacular but the people I met along the way was simply marvelous.  I am honored and humbled that so many could feel my gentle/energetic spirit and felt they can open-up their hearts to a complete stranger. To some my camera intimates them but to other my camera is a tool to share their personal stories and set them free from what ever they are experiencing at the time.   A met Timothy O’ Sullivan on a group Facebook page for Artist over two years ago. We have established a working friendship and thought it was time to collaborate together in a joint exhibit at his studio on Bowen Island, BC. It was an awesome experience to work with Mr. O’Sullivan and to meet fabulous people from the Artisan Square.   It my quest to set up for the exhibit, I felt a wee bit out of my element. Not having all the items that I usually decorate my exhibits with I was truly fortunate to have met Sharon Dunbar owner of Bell’ Occhio. Mrs. Dunmar was so gracious and let me borrow several items from her store to contribute to make the exhibit sparkle. It is important to me that I include local shops...

“It’s wonderful to see what happens when people bring great ideas to life. It truly is inspiring.” ~ Editor-in-Chief It’s only been a little over a month since the garden was born and the work parties are already well underway. Kitsilano Community Centre, along with its community partners, Urban Systems Foundation, Can You Dig It and Society Promoting Environmental Conservation (SPEC) and many community volunteers, has been using a collaborative approach to transform its literally vacant exterior spaces into an amazing organic vegetable garden that adds beauty, value, and a distinctive identity to its neighbourhood. Under the leadership of Robert Haines, the board president, Gabriel Pliska, the Garden Committee Chair and board member, Oren Burnspark, Garden Coordinator, Ben Mulhall from Urban Systems Foundation, and Cinthia Page, Can You Dig It Project Coordinator among others, the garden is a unique collaboration of artists, local adults and youth and kids, and garden lovers. It is such a valuable asset for neighborhood development by developing and nurturing public space which promotes sustainability, food security, community education and public health, and coming together. I have “attended” the last 2 work parties and here are some photos we took. People’s smiles are so glamorous and the garden is so lush and green, which is the best kind of advertising!!! Congratulations to Kitsilano Community Centre Collaborative Garden! For those who are interested in volunteering and/or learning more about the collaborative garden, please contact Kitsilano Community Centre and follow us on FB.            ...

By Haley Cameron Photos by Lydia Nagai For Salomé Nieto, dance is not just a career. “It’s my oxygen,” says the Butoh dancer. Twenty one years ago when her ex-husband asked her to relocate to Canada she agreed under a single condition. “I told him that if I could dance in Canada I would go.” Luckily the answer was yes and she has called Vancouver home ever since.   Salomé’s stylistic focus is initially surprising. The 47-year-old hailing from Mexico City calls herself a Butoh dancer, a post-war genre originating in Japan, however this was not always the case. “I was trained in contemporary dance with a traditional Western background,” she explains. It was Kokoro Dance, a local company she worked with upon her arrival in 1992, that introduced her to the modern Japanese style.   “I’ve spent a lot of years trying to show diversity but I am ultimately most comfortable with Butoh.” According to Salomé, Butoh deals with themes of humanity, fragility, renewal, and constant transformation. Translated as “firm step into the ground with arms opening away”, she explains that it is the strong sense of expression that spoke to her. “I love the imagery, the focus on sensation,” she says. When I point out that her arms haven’t stopped moving since we sat down to talk she laughs and tells me, “My thoughts are bigger than the words I have.”   Butoh has taken much of the world by storm. Salomé says she is continually amazed just how much the art form is appreciated worldwide, citing that South and Central America, Europe and Asia are all incredibly supportive of the genre. “I haven’t necessarily found my place in Vancouver,” says the local dancer who does most of her collaboration internationally. “It isn’t...

  Artist Sudè Khanian          Sudè Khanian is an Iranian born artist specializing in Qi (energy healing) and philosophical art (Vaguest art) that is sometimes associated with Surrealism movement. Sudè is a Persian born Muslim who practices a form of Qi meditation referred to as ‘pure Qi’. The influence of her monotheistic religion as well as Universalist philosophy of Qi is evident in her paintings, both in choice of colors and lines to accentuate a single yellow or white focal point as well as within her detailed use of optical illusion to interrelate and derivate.  In contrast, the influence of her Persian culture and her experience of war is less pronounced in the paintings and is limited to random poetic expressions within colors, shapes, and figures; something that is repeatedly observed in works of contemporary Iranian painters as well as the traditional Iranian Miniature.    Apart from the Qi healing aspect of her work –which can be very subjective and not acknowledged or accepted by all belief sets  –Sudè states that her use of optical illusion and the discovery journey that the paintings take a viewer through, according to latest science researches on optical illusion, stimulates many areas of the brain. This stimulation helps the viewer fee alert, yet relaxed....

By Katja De Bock   If you are a regular reader of Kerrisdale Playbook Magazine, you will have noticed the beautiful photos of our interviewees, capturing the essence of their personalities with just a short click of the lens. You might be surprised to it’s an emerging photographer, Vancouver-based Noriko Nasu-Tidball, who made the professional photos.   In my experience as a producer and interviewer of television magazines, the videographers dominate the set. They have to set up their gear of tripods, lamps and cables in what is usually a very short time. However, for the nervous interviewer and self-conscious interviewee, that time seemingly takes forever. Moreover, the videographer often interrupts the flow of the interview as the subjects move in and out of focus, or when camera cards are full or batteries empty.   Not so when I am working as a writer with Noriko Nasu-Tidball as my photographer colleague. When my editor-in-chief, Keiko Honda, and I are speaking with the interviewee, Noriko has the astonishing ability to become what they call a “fly-on-the-wall.” You don’t hear her, you don’t see her, and yet she manages to make hundreds of photos per session, of which only a handful will be selected for the magazine.   For most of the interviews in Kerrisdale Playbook, Noriko relies on ambient light (daylight) and does not ask the subjects to pose, as she wants to capture the gist of the moment. An exception is a group portrait at the end of the interview.   Noriko says her love for vérité-documentary style of photography began during her childhood. She grew up in Susami, a small town in the Wakayama prefecture (administrative district) in Japan, as a daughter to a banker and a kimono storeowner. Magazines were always around...

  By Katja De Bock Photos: Courtesy of Shannon Selin   When Shannon Selin’s father took his daughter to the site of Napoleon’s 1815 surrender in Waterloo, Belgium, little did he know the trip would eventually result in a remarkable novel about the defeated emperor.   After three years of research and writing, Shannon Selin presented her novel Napoleon in America on April 6 in Marpole’s Historic Joy Kogawa house, with the renowned Japanese-Canadian author present at the launch party.   Incidentally, Selin lives only three houses away from the Joy Kogawa House, where Kogawa lived as a child. The historic residential building now houses a writer-in-residence program.   “The spirit of writing emanates from having Joy Kogawa so close – it just washes down the street,” Selin says of her prominent neighbour.   As you may remember from history class, Napoleon never made it to America, but died in exile at the age of 51 on St. Helena, a remote island in the Atlantic. But Selin, who was interested in the state of mind of the man who had achieved so much, yet was confined to a small island, chose his last months at St. Helena as the starting point for her book. The literary fiction genre in which historical events unfold differently than they did in real life is called “alternate history,” but Selin wasn’t aware of that when she wrote the book, at first purely for her own interest.   Selin starts the novel in February 1821. Asking “What if Napoleon escaped and made it to America?” she sets in motion a series of astonishing and amusing events. Shrewdly, she places Napoleon’s arrival in New Orleans on May 5, 1821, the official day of his death in real life, thus enabling the emperor...

By Dave Wheaton Photos: Noriko Nasu-Tidball These days, it’s not hard to feel like the world has become a touch impersonal. Online shopping is becoming more popular, most of us buy our groceries in big department stores, and, often times, we don’t really know where our food is coming from. The Bakeshop at 4021 MacDonald street is a family owned and operated store that brings some personality back into our lives. It’s not every day that you find a bakery like this, where the people who sell you your baked goods are the same people who make them. Family togetherness is one of the defining features of The Bakeshop. Mike and Meg are as close as a brother and sister can be, and together they own and operate the store with their mother, Donna Nelson. Although it’s only been a year, there’s a rhythm to The Bakeshop that could only be possible though the kind of family relationships that are brought to the kitchen. As we talk in the kitchen of The Bakeshop the three of them take turns explaining what it is that makes The Bakeshop such a unique place. For them, going into business as a family felt like the natural thing to do. They tell the story like this: Mike: Right out of high-school Megan enrolled in the baking and pastry arts program. And so she had a wedding cake business for around ten years. It got to the point where she either needed to expand or quit Meg: I also needed a location to work out of. We were working with a caterer over in New Westminster and it was just so far from all the wedding venues in the city Mike: A month before we bought the bakery Megan...

  By Haley Cameron Photos: Noriko Nasu-Tidball   When Kagan Goh describes a particularly taxing trek through Mexico he doesn’t just say that it was warm. Demonstrating an incomparable gift for self-expression he relays the heat of the Aztec sun with such clarity that I can feel the back of my own neck start to itch with the onset of an imaginary sunburn. Raised in an exceptionally artistic family – he still lists his physician father as his favourite novelist – this writer/poet/documentary film maker always knew he would pursue a creative career. “I’ve been surrounded by artists all my life,” he says, explaining how his entrepreneurial father, Goh Poh Seng, was largely responsible for exposing Singapore to international culture. His primary role model brought famous musical acts into his restaurant, chaired a national theatre association, and helped start Singapore’s first ballet company. And the family’s list of artistic accomplishments only continues as Kagan describes his mother’s editorial work and the various creative pursuits of his three talented brothers. While natural artistry may be hereditary for Kagan, other factors have greatly influenced his creative production and inspiration over the years. For many years, Kagan’s life was completely dictated by manic depression. These days he dedicates most of his efforts – both artistic and otherwise – to advocacy and awareness of the illness. The Vancouverite speaks as candidly of his struggle with mental illness as he does his romantic pursuits or headstrong fight for film school admittance; all stories he shares so openly that you can’t help but give him your trust. One word that comes up repeatedly when speaking with Kagan is ‘maverick’. He has a huge amount of respect for those brave enough to go against the grain in the pursuit of their...