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    Dear Readers, Our March issue is full to the brim with film, featuring some of the fantastic film events heading our way this month. We are incredibly excited to host a Canadian premiere of “Plant This Movie“, a documentary film on global urban farming movement, for which director Karney Hatch from Portland Oregon will be in attendance for a Q&A after the film! This will be on Friday, March 20th at 7pm at Kerrisdale Community Centre as well as Saturday March 21st at 7pm at Kitsilano Community Centre. Please don’t miss it.  Another exciting features are Paralympic athlete Andrea Holmes’s “Favourite Leg“ at the Vancouver International Women in Film Festival, filmmaker Oliver Hockenhull‘s compassionate and pioneering film “Citizen Planet: Cybernetic Governance in the Anthropocene“, and filmmaker Pia Massie‘s new “Screening+Discussion Series” around the theme of love/resilience at Kerrisdale Community Centre staring this Spring. Aren’t we lucky to “meet” those very committed individuals who are passionate about making a difference to the lives of people and seeking a deeper connection to place and community, and more sustainable ways of life? March is a month of “planting the seed” of community and creativity, so to speak! As a member of the Residence Advisory Committee of Vancouver Foundation’s Neighbourhood Small Grants, I would like to encourage all community members to apply! The deadline is March 31st! Last but not least, “Hanami” (cherry blossom viewing) is in full swing here. Please mark your calendar to come on out for the Vancouver Cherry Blossom Festival happening in KERRISDALE on Sunday April 26th! We will surprise you!   Cheers! Keiko Honda, Ph.D. Editor-in-Chief and Chair of Community Engagement  ...

Interviewed by Keiko Honda (Editor-in-Chief) Photos by Karney Hatch   An exciting time for urban farming and Vancouver! Prior to the upcoming Canadian Premiere of his documentary film, Plant This Movie, at Kerrisdale Community Centre in the evening of Friday, March 20th (Mark Your Calendar!), I interviewed filmmaker Karney Hatch about his incredible journey with Plan This Movie.    1. Where did the idea for the film come from? Something you knew a lot about? What attracted you to the world of urban farming as a setting for your new film? Why was it important for you to do a film about urban farming?   I grew up on a farm in Idaho, and when I was living in Los Angeles, I became aware of that city’s water issues, how they essentially steal most of their water from Northern California and neighboring states.  So then when you’re driving around the city and see all those green lawns, it doesn’t really add up.  They’re stealing all that water and not even using it to grow food.  I mean, the statistic that still freaks me out to this day is that lawn grass is the #1 irrigated crop in the U.S.  Talk about a terrible waste of resources!  So I started spending time and filming with the Food Not Lawns chapter in Claremont, a suburb of L.A., and it took off from there.  I also read Heather Flores’ book, “Food Not Lawns”, which was very inspiring as well.   2. What sort of research did you do with regards to urban agriculture movement (e.g., its history and economics, multiple stakeholders, city regulations, technology development, local economy development and marketing, community building, land use etc.) and how is this research represented in the storyline of the film?     I did quite...

    By Oliver Hockenhull  Photo Courtesy of Oliver Hockenhull         Beginning with some key definitions: 1.  The technological singularity is the hypothesis that accelerating progress in technologies will cause a runaway effect wherein artificial intelligence will exceed human intellectual capacity and control, thus radically changing civilization in an event called the singularity.   2.  Norbert Wiener, mathematician and philosopher, defined cybernetics in 1948 as “the scientific study of control and communication in the animal and the machine.”  The word cybernetics comes Greek κυβερνητική (kybernetike), meaning “governance”, i.e., all that are pertinent to κυβερνάω (kybernao), the latter meaning “to steer, navigate or govern”, hence κυβέρνησις (kybernesis), meaning “government”, is the government while κυβερνήτης (kybernetes) is the governor or the captain.   3.  The Anthropocene for the current geologic chronological epoch that began when human activities had a significant global impact on the Earth’s ecosystems.   We’re navigating rough waters, living in highly accelerated times and we haven’t caught up socially, culturally, intellectually, institutionally, economically nor ethically to the incredible capabilities of our computational technologies. It bares repeating —each of us is wandering around with the power of devices that are more powerful than the computers used to help land Apollo 11 on the moon — and what do we use them for? Typing to one another and downloading cute videos of our feline overlords. Our society and our politics are becoming increasing polarized, contentious, violent — though most of us would agree that our government system is falling to successfully manage our today let alone to envision a livable future  — and that our politicians and pundits are grotesquely over paid windbags of one sort or another — whose decisions are rarely wise. We will soon have the capabilities to realize the utopian dreams of generations — a united world living sustainability in creativity, peace &...

By Katja De Bock* Photos Courtesy of Coni Martin   A young woman sits on a racetrack, holding a prosthetic leg in her hand. “This is my everyday leg,” she says, “The toe is split, so I can wear thongs.” Then she looks over to a metal leg adjusted to her left knee. It looks a bit like the “blade runner” tool that gave Oscar Pistorius his nickname, but it is prettier. “This is my running leg,” she explains, with my new, beautiful cover over it.” Using those legs is what made North Vancouver’s Andrea Holmes famous. She is an award-winning Paralympian. Holmes was born with a condition of her left foot called fibular hemimelia. Her parents made the difficult decision of amputating her foot, so she could have an active lifestyle while using a prosthetic leg. She represented Canada in Athletics from 2002 to 2007, winning a Bronze Medal in long jump at the Para-Pan American Games in 2007. She has also competed on the BC Para-Alpine ski team. Holmes is a four-time Canadian long jump champion, three-time 100m champion and a Canadian record holder in high jump. Five years after her retirement as a professional athlete, a Langara College graduate of the Documentary Film Production program made a film about her. Coni Martin’s fine short My Favourite Leg recently screened at the Vancouver International Women in Film Festival (#VIWIFF2015). It will also be shown as part of the Just Film Festival, an annual festival of short films made by students in the Langara College Documentary Film Program. That screening will take place Sunday March 22 at 12:15 PM, at Langara College, 100 West 49th Avenue. “It made me cry,” says Holmes about the film, hardly 15 seconds into our interview for Kerrisdale Playbook. “She so eloquently was...

  By Pia Massie  Movies tell stories in the most profound way possible.  The images flicker like a fire – throwing light on the human condition.  The sound and music surround us, enveloping us in feelings ranging from pleasure to terror, depending on the genre we are in the theatre to watch.  Every frame, every picture tells a story that we read and file according to our own experience, our own individual set of associations, questions and desires.   We live in a global community of storytellers; all trying to make sense out of the ongoing chaos of our daily lives. Movies since their earliest moments have provided us a roadmap, a template of how to be.  Or not to be.  Opening a window on another point of view, whether it is from across the tracks or on the other side of the globe, movies help us understand how to live. They help us make meaning.   People have learned how to love, how to forgive, how to steal the show or start a revolution – all from watching movies. As audiences have become more adept at understanding film language, stories have naturally become more complex – speeding up, breaking apart into fragments, reversing themselves, even playing backward.   In this vast ocean of moving images, documentary films have become ever more important, ever more resonant in this quest of making sense and meaning of our lives.  Our hunger for real life stories has increased in direct proportion to the declining sense of community that all our high tech cities with their sleepless, rushing populations have fallen prey to.   This hunger for truth and shared storytelling, have given rise to a frenzy of documentation. Does an accumulation of tiny proofs : I was...

(From Left), Taylor Lecky (staff writer), Keiko Honda (Editor-in-Chief), Linda Poole (Executive Director of Vancouver Cherry Blossom Festival) Special thanks to Noriko (photography) and Visual Space (film location)     Dear Readers, We are already in the second month of 2015.  In Japan, February 3 marks the yearly Setsubun celebration (literally means “division of seasons”), implying the day before the first day of spring (surprisingly, despite the chills!). Traditionally people in Japan throw roasted soybeans inside and outside their houses to drive away evil spirits and misfortune, chanting “Out with the Demon! In with Fortune!“. Why not take another moment to reflect beyond the New Year’s Resolution? What we can do today to improve, energize, thrive, grow and love more? I think the deepest reflection is actually an ongoing process. I first met Linda Poole in the planning committee meeting of Vancouver – Yokohama Golden Jubilee (1965-2015), for which I am very excited to share some of what’s been happening with all of you as time goes by. Meeting Linda was like the cherry blooming front finally come around! Her passion is so contagious that I am running a sakura fever, and so will you! This year for the first time, Kerrisdale Community Centre’s Centennial Park will be hosting the Vancouver Cherry Blossom Festival on April 26th. Please mark your calendar and be sure to attend!! In addition, in this issue, our “one-of-a-kind creators” feature will inspire you with some great wood work artist, Russ Gray, a youth leader, Maya Reisz, and a fashion designer and beyond, Terry Sasaki – a new addition to our Best Of list!  Last not but least, our AGM is just around the corner! Please mark your calendar for February 18th,7:30pm.   Happy February and Happy Valentine’s Day!   Keiko Honda Editor-in-Chief Chair, Community Engagement Kerrisdale Community Centre Society          ...

By Taylor Lecky Photos: Noriko Nasu-Tidball Special Thanks to VISUAL SPACE (film location)  Kobayashi Issa once wrote, “there is no stranger under the cherry tree.” Before my interview with Linda I knew I appreciated the sentiment behind the saying but I didn’t fully understand it. In honesty, when I was first asked to write an article on the Vancouver Cherry Blossom Festival, I had no idea what to expect. Apologetically, I stereotypically made an assumption that an individual of Japanese descent would walk in the Visual Space Dunbar gallery that rainy Vancouver Tuesday afternoon. However, I was extremely naive. Linda Poole, with all her golden haired glory, glided into the room as an elegant cherry blossom-like individual herself. Wearing a fuchsia pink skirt with matching leather shoes, a cherry blossom pendant and bracelet, you could not deny that she exuded passion for Vancouver’s sweetheart of tree’s.   “Is pink your favourite colour?” I asked while wearing my daily uniform of head-to-toe black. “No, I enjoy many colours. However, CBC did once interview me on T.V in which they started the session by filming these exact pink shoes. I don’t wear them much anymore,” Linda laughs. “But I do think pink looks good on everyone.” Linda’s demeanor is energetic and passionate while at the same time extremely calming.   Having lived abroad with the Canadian Foreign Service with her husband, a Canadian Ambassador, Linda says at the beginning she asked herself, ‘what does an ambassador really do? Let alone what does an ambassadors wife do?   “It was a fantastic experience and a privilege. I didn’t want to leave. Everyday I would see the Canadian flag flying above our official residence and I would just choke me up. You’re so far from home but your...

By Emily Cheung Photos: Noriko Nasu-Tidball Special Thanks to KIKORI (film location) When wood work artist Russ Gray moved to Vancouver with his wife 18 years ago, he developed a fondness for Vancouver’s unique climate, referring to the rain as “liquid sunshine.” It is this sanguine disposition which has been the vehicle behind his unconventional career path to date. Having grown up in Ontario, it was Russ’ high school art teacher who became the inspiration behind his passion for art. He was motivated by perspective drawing and the eclectic persona of his teacher. Meanwhile, his interest in Japanese culture stemmed from practicing martial arts, specifically Judo and Kendo, ever since he was a young boy. After high school, Russ spent some time in the military. He sang with the Canadian Armed forces as a lead singer. Russ recalls the days when he sang rock and swing, and often travelled across different countries including Germany, Israel, and bases across Canada. Afterwards, Russ travelled to Japan and it was there that he cultivated his skills in Japanese wood work. He began his training in Japan in the 1980s and deepened his woodworking expertise through experimentation and applying Japanese concepts into his own work. Russ adds, “Mistakes are part of the growing process.” Russ specializes in screens, lamps, paper shoji (paper sliding doors), panels, and other custom interior goods. Reflecting upon the paths he has taken in life, Russ muses, “Where you go determines where you will end up”. He believes that reinvention is achieved through circumstances. As for the origins of Kikori, a Japanese antiques and furnishings shop run by Russ, it started when his current business partner, Carol Yamamoto, came looking in his furniture workshop in Langley. The two later found out Carol’s husband, Robert...

  By Maya Reisz Photo Courtesy of Kitsilano Neighbourhood House     YEA? The Youth Evening of Arts was mini arts festival planned and presented by Westside Youth, ages 10-25, as part of the grand re-opening celebration for The Kitsilano Neighbourhood House. Over the course of 6 months, 52 youth were involved as committee members, performing artists and general volunteers, making it a unique for-youth-by-youth experience. At the event itself, 40 youth volunteered, 18 performed, 11 learned to speed paint and 8 participated in the live speed painting competition. 72 pieces of artwork were displayed in the youth designed gallery, not including the geometric art installation representing 150 individual pieces from Westside community members.                 Dear Reader,   I took a big chance last May. With no experience in program planning, I created the Youth Evening of Arts for Kitsilano Neighbourhood House. Why? In the aftermath, I can rationalize it as:   I was inspired by Kit’s houses’ history of community led programming. I wanted to do work that felt meaningful. I thought it would be fun to work with a bunch of young artists. Someone needed to do it. Why not?    Truly, at the time I accepted the offer, I just had a strong gut feeling, one that tickled my imagination and catalyzed my heartbeat. I felt the possibility and wanted to see it happen. Mary Bennet, the celebration planner, gave me complete creative control and a shoulder to lean on. So, I dedicated six months of my life to a possibility, witnessing frustrating moments in juxtaposition with creative successes and a host of tiny miracles. Now, I carry with me a sublime feeling of nurturing a notion I held on my own into a vibrant success shared by many....

By Lauren MacFarland Photos: Noriko Nasu-Tidball Special Thanks to Terry Sasaki Gallery (film location) Bursting with light and colour, Terry Sasaki’s gallery and clothing store are a unique blend of different cultures and versatile creativity, art of different mediums all telling the story of the man behind these beautiful works. For more than twenty years, Terry has been travelling the world, bringing his experiences to his work, and fusing the styles of East and West, the perfect mix for the Vancouver art scene, where so many different cultures collide. Relocating in the Lower Mainland presented new challenges and inspirations, allowing Terry to avail himself of new techniques and textures, always learning and evolving as an artist, constantly creating art that has inspired people the world over. Paintings are the main focus of Terry’s gallery in the Pan Pacific Hotel in Downtown Vancouver, his art instantly eye-catching and evoking his Japanese background, mixed with Western influence. “I get my energy from a lot of different places,” he explains, “and when my energy is good, then my art reflects that. If I ever feel tired of a painting, I move on, I try new things, because the most important thing about my art is that it reflects who I am and makes me happy.” In addition to his own pieces, the gallery also holds work from other local artists, as Terry recognizes the importance of giving back to the art community and giving other artists a chance to have their work seen. Interpersonal relationships hold a great amount of importance to him, and he counts friends from all over the world, including other many other diversely skilled artists. “When you take from different cultures, you have to give back to it as well,” he explains, and...

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    Dear Readers, Good luck to a New Year, New Goals, and New Opportunities! What are your New Year’s resolutions? I have parenting goals, relationship goals, health goals, friend goals, budgeting goals, reading goals, hobby goals, work goals, and even pleasure goals….for all facets of life………I am getting after it…….Failure is a given…..Another chance to start, of course…. After all. life IS improvisational, as we never know exactly what is coming, but having a plan is comforting. In choosing an entrepreneur, Dr. Lee Van Horn, an emerging writer, Rachelle Chartrand, an artist Mariko Ando, and community connectors, Katherine Allen & Laura Kosciecha as our feature for the January issue, we found ourselves in good company. I see a creative abundance in all areas of life, including realizations of ourselves.  As Dr. Van Horn said in his interview, “In your community, there are a million ways to give back and the only reason you don’t see them is because you are not looking. After all, it is better to light one candle than to curse the darkness”.  The key, again, is effort. Kudos to Bernie Percy and Mary Dopson, 2014 recipients of the Volunteer Award of Kerrisdale Community Centre. We awarded two awards to long time volunteers who have made great contributions to our community. I would like to highlight here some noteworthy achievements: Bernie Percy joined the knitting group 12 years ago and leads the group. Bernie was born in Dublin, Ireland, one of 10 children.  Bernie is very proud of her involvement with the Book of Kells, an ancient book from Ireland which dates from the 6th Century BC.  There were a few replicas made and Bernie organized a committee to purchase the only copy in Canada.  It is now on permanent display in the UBC library, and it is the most popular...

 By Haley Cameron Photo Courtesy of Mariko Ando When Mariko Ando first moved to Vancouver fifteen years ago, she craved a local network, a connection to her new home. In the end it was art that led her to the community she was searching for, shaping her career and her life for the better.   Mariko first picked up printmaking at college, back in Japan. She loved the art form, but recognized that it was a difficult one to pursue. “Printmaking requires a studio, chemicals, a press machine…” at eighteen she chose to continue on with other artistic outlets, including drawing and acrylic painting. She landed a job at a magazine where she illustrated for the advertising department, offering a steady income and a means to develop her skills. “In Japan it’s more common to use illustrations everywhere,” explains Mariko of her role in graphic design. “Our company was huge, the Japanese economy was so good at that time; I was always busy with work.”       When Mariko and her husband relocated to Canada, she assumed the same publishing opportunities would exist. She quickly learned that wasn’t the case. It made the move to Vancouver more difficult. “I didn’t have a great job, I don’t have kids, I wasn’t connecting with people,” she explains. Having always maintained an interest in printmaking, local artists suggested she approach the Malaspina Printmakers Society on Granville Island. “That really changed my life,” Mariko shares, honestly. “I had bought a press machine, but I returned it right away and started to work in their studio.”       The Malaspina Printmakers Society is a local organization that brings printmakers together to create, workshop and exhibit their work. For Mariko it was a comfortable setting in which she could...

 By Katja De Bock Photo Courtesy of Rachelle Chartrand   When Rachelle Chartrand was performing yoga at her sister’s home in Beaumont, Alberta shortly before her 39th birthday in 2011, she had a vision of herself turning into a butterfly.   “It was about a week before my 39th birthday and all babies born in 1972 dreaded turning 40 and I was like ‘Bring it on’,” says Chartrand, who at the time came out of two hard years after a divorce.   She instantly understood this as a chance to finally turn from a scared little girl into a woman.   Chartrand decided to write down her journey and publish it as a book. But she wanted to be honest, without sugarcoating, after having felt like a fraud most of her life. A life that included an early loss of virginity, bulimia, alcoholism and two broken marriages. Her goal at the time: Making 2012 the best year of her life.   Fast forward two years and here’s Chartrand today, a beautiful woman radiant with the joy of her achievement.   Chrysalis is not your typical Sunday-afternoon, cozy-corner memoir that can be easily consumed with tea and cookies. Chrysalis can be fascinating if you like raw, honest dialogue and a no-nonsense attitude. Even though Chartrand says she did not write the book as a form of therapy, it touches on methods such as Emotion Freedom Technique and Emotion Code, as these are practices she used to come to terms with her past.   Chartrand does not mince words in some passages of Chrysalis when reminiscing her loss of virginity at a young age, the inability to speak with someone about this shocking event and the resulting mental pain she suffered throughout her adult relationships with...

  Interviewed by Keiko Honda Lee Van Horn was born in November, 1939 into a large German and Irish Catholic community in Kansas City, MO. Because the US would soon be involved in WWII, and then men would be off to war, he and his mother moved into his grandparents home along with a variety of Aunt and cousins. It was a very safe and warm life for a young child. Lee continued to live in KC until he was 17 when he spent time in the US Army. Then it was off to University. Lee attended University at Saint Mary’s University of Minnesota. As he was always told by his father to “get an education,” he took this opportunity very seriously and got a triple major in literature, philosophy and social studies and a double minor in education and theology. He graduated cum laude. Lee the moved to Mpls, MN to teach in a local high school. Very early on he was selected to Chair the English department and to coach the tennis team. He also founded the second guidance and counseling center in the State of Minnesota. As a coach Lee’s team won two State tennis championships. This was also the beginning of a life long involvement in social issues. After all it was the 60’s. Lee became very interested in working with the youth of the city of Mpls and was eventually awarded the “Contact” award for outstanding work among the youth of the city. Lee was involved at the time in the anti-Vietnam war efforts counseling youth not to sign up for the war. He was not always successful in this effort and had a few students he taught in high school die int he war. Feeling a need for...

By Katherine Allen & Laura Kosciecha Photo Courtesy of Katherine Allen & Laura Kosciecha     Building Caring Communities (BCC) is an Asset Based Community Development initiative that strives to foster meaningful connections in community. We do this by discovering the gifts and interests of individuals or groups of people (associations). The role of the Community Connector is to remain curious all the while searching for welcoming people and places. By spending time in neighborhoods, we are able to build a map of the assets there – the gifts and interests of neighbors, local businesses, best cafes, friendly faces, and welcoming places. Community Connectors often meet people who are in search of something; whether it be a friend, a helping hand, a space, or a mentor. Our role is to help thread a web of connections in an already-abundant community. Much of what we seek is already there, but perhaps we just didn’t know it yet, or had to adjust our lens to see it. We do this because we believe the more connected a community, the more vibrant, safe, and welcoming it is – for all members of the community. Following are some stories that capture the essence of our work.   The Little Garden That Could   Goodlad community garden, one of the original Can You Dig It community gardens, is nestled behind a friendly residence in Burnaby and has12 garden plots, a greenhouse, compost piles, hazelnut trees, grapevines, and picnic tables. Over the years, despite much effort to engage neighbors and gardeners, the garden had yet to flourish, and the vision of a thriving community space had yet to be realized.   This past spring, BCC collaborated with Can You Dig It to make this original vision a reality. After many conversations...

      http://www.visualspace.ca/     Hello and Happy Holidays! Just a quick email to let you know to save the date for January 10th! Join us for a special Right to Remain gathering for Downtown Eastside (DTES) residents and allies, members of the Japanese Canadian community and anyone interested in the neighbourhood. We’ll find out more about the history and human rights of the Japanese Canadian community in the Powell Street area, and the challenges and human rights issues facing the current residents of the DTES. This will be a great chance to meet new people, learn some history, share food, and make art that expresses your experiences and connections to the neighbourhood. Free and open to everyone! See the attached poster for more information. Sincerely, The Right to Remain Crew         REGISTER NOW! https://www.policyalternatives.ca/ticket-system-change-seniors-care-25 If you prefer not to register online, contact Lindsey Bertrand at 604-801-5121 x233 or bcseniors@policyalternatives.ca....