By Haley Cameron Photos by Lydia Nagai For Salomé Nieto, dance is not just a career. “It’s my oxygen,” says the Butoh dancer. Twenty one years ago when her ex-husband asked her to relocate to Canada she agreed under a single condition. “I told him that if I could dance in Canada I would go.” Luckily the answer was yes and she has called Vancouver home ever since.   Salomé’s stylistic focus is initially surprising. The 47-year-old hailing from Mexico City calls herself a Butoh dancer, a post-war genre originating in Japan, however this was not always the case. “I was trained in contemporary dance with a traditional Western background,” she explains. It was Kokoro Dance, a local company she worked with upon her arrival in 1992, that introduced her to the modern Japanese style.   “I’ve spent a lot of years trying to show diversity but I am ultimately most comfortable with Butoh.” According to Salomé, Butoh deals with themes of humanity, fragility, renewal, and constant transformation. Translated as “firm step into the ground with arms opening away”, she explains that it is the strong sense of expression that spoke to her. “I love the imagery, the focus on sensation,” she says. When I point out that her arms haven’t stopped moving since we sat down to talk she laughs and tells me, “My thoughts are bigger than the words I have.”   Butoh has taken much of the world by storm. Salomé says she is continually amazed just how much the art form is appreciated worldwide, citing that South and Central America, Europe and Asia are all incredibly supportive of the genre. “I haven’t necessarily found my place in Vancouver,” says the local dancer who does most of her collaboration internationally. “It isn’t...

  Artist Sudè Khanian          Sudè Khanian is an Iranian born artist specializing in Qi (energy healing) and philosophical art (Vaguest art) that is sometimes associated with Surrealism movement. Sudè is a Persian born Muslim who practices a form of Qi meditation referred to as ‘pure Qi’. The influence of her monotheistic religion as well as Universalist philosophy of Qi is evident in her paintings, both in choice of colors and lines to accentuate a single yellow or white focal point as well as within her detailed use of optical illusion to interrelate and derivate.  In contrast, the influence of her Persian culture and her experience of war is less pronounced in the paintings and is limited to random poetic expressions within colors, shapes, and figures; something that is repeatedly observed in works of contemporary Iranian painters as well as the traditional Iranian Miniature.    Apart from the Qi healing aspect of her work –which can be very subjective and not acknowledged or accepted by all belief sets  –Sudè states that her use of optical illusion and the discovery journey that the paintings take a viewer through, according to latest science researches on optical illusion, stimulates many areas of the brain. This stimulation helps the viewer fee alert, yet relaxed....

By Katja De Bock   If you are a regular reader of Kerrisdale Playbook Magazine, you will have noticed the beautiful photos of our interviewees, capturing the essence of their personalities with just a short click of the lens. You might be surprised to it’s an emerging photographer, Vancouver-based Noriko Nasu-Tidball, who made the professional photos.   In my experience as a producer and interviewer of television magazines, the videographers dominate the set. They have to set up their gear of tripods, lamps and cables in what is usually a very short time. However, for the nervous interviewer and self-conscious interviewee, that time seemingly takes forever. Moreover, the videographer often interrupts the flow of the interview as the subjects move in and out of focus, or when camera cards are full or batteries empty.   Not so when I am working as a writer with Noriko Nasu-Tidball as my photographer colleague. When my editor-in-chief, Keiko Honda, and I are speaking with the interviewee, Noriko has the astonishing ability to become what they call a “fly-on-the-wall.” You don’t hear her, you don’t see her, and yet she manages to make hundreds of photos per session, of which only a handful will be selected for the magazine.   For most of the interviews in Kerrisdale Playbook, Noriko relies on ambient light (daylight) and does not ask the subjects to pose, as she wants to capture the gist of the moment. An exception is a group portrait at the end of the interview.   Noriko says her love for vérité-documentary style of photography began during her childhood. She grew up in Susami, a small town in the Wakayama prefecture (administrative district) in Japan, as a daughter to a banker and a kimono storeowner. Magazines were always around...

By Dave Wheaton Photos: Noriko Naru-Tidball   In Oru Restaurant one Tuesday afternoon we met with superstar architect Gregory Henriquez, managing partner of Henriquez Partners Architects.  As one of Vancouver’s most influential community figures, Gregory has received wide recognition for designing Woodward’s redevelopment in the Vancouver Downtown Eastside. Today, Gregory and his architectural firm are working on several projects to promote community, social justice, and sustainability across Vancouver. As if that wasn’t enough, Gregory’s buildings are designed to have a distinct style and are some of the most recognizable pieces of Vancouver. As expected, Gregory keeps busy.   “We’re doing all sorts of things – everything from Oakridge, which is very large, to little projects like the York Theater on commercial drive, where we’ve brought an old theater back to life. We’re turning a prison into social housing over on Main Street, and creating the first immigrant services building in North America which is going to integrate temporary housing with non-profits to help immigrants from other countries, which is exciting. We’re doing our first project in the Middle-East. We’re doing a myriad of different re-zonings around town – most of which are for complex mixed-use. We’re redoing a church into rental and social housing. It’s an amazing project. So we’re pretty busy.”   But despite these staggering contributions to Vancouver, Henriquez Partners Architects is a relatively small team. They employ only 51 people while most competing firms are multi-nationals that employ thousands. Gregory’s architectural style is famous for incorporating an ethical component to the buildings he and his team design.  “Each project is about finding the soft spot and the thing that is required in order for a community or an issue or an idea to be brought to light”, Gregory explains, his inspiration...

By Haley Cameron Photos: Noriko Nasu-Tidball The first half hour I spend with Yayoi Hirano provides a notable clash of cultures. The slight Japanese woman sits across from me in a traditional kimono complete with tabi socks, as we explore the boundaries of our linguistic restrictions over a few slices of pizza. It’s during this casual dinner that I learn Yayoi-san relocated to Canada from Japan twelve years ago. And later, as we discuss her interesting career, I learn that merging various cultural extremes is rather habitual in her lifelong East-meets-West artistic dialogue. Having a piece of Ham and Pineapple while dressed in traditional Japanese garb no longer seems quite so unusual.   It’s unfair to limit Yayoi-san to a single title, considering her vast talents in a multitude of creative outlets, but above all else she identifies as a mime artist. “Since I was a child I loved to act,” she tells me, sharing that in her very first elementary school production she was so determined to be on stage that she performed through a fever of 102 degrees. Yayoi-san’s interest in drama continued to develop through her youth. She recalls watching a European theatre group present Shakespeare’s The Merry Wives of Windsor in high school, considering it an important milestone in her own developing love of drama. Despite the language barrier, Yayoi-san was able to recognize the underlying story and therefore relate to the movement, costumes, and sets. “I was dearly fascinated. I fell in love,” she says.   While Yayoi-san was exploring various means of artistic expression she met Lecoq mimes (the traditional French mimes typically associated with the art form). Having already realized acting’s ability to transcend linguistic barriers, miming struck a chord for the young artist. She began to...

By Katja De Bock   When Karen Lam walks by the Louisa Apartments on Kerrisdale’s East Boulevard, she laughs out loud remembering how she once almost set the building on fire trying to cook a meal. A highly educated Asian-Canadian from Manitoba with degrees in English literature and law, Lam never learned how to cook until she moved into her first Vancouver flat near Arbutus and West 41st Ave. That’s twenty years ago now and Lam has moved on to become an incessant cook, passionate tuque-knitter and oh, one of the world’s few female horror film directors. Her second feature, Evangeline, about an abused college student seeking to avenge her perpetrators, will open the Vancouver International Women in Film Festival(VIWIFF) on March 6. In 1993, Lam needed an inexpensive flat providing easy access to UBC. Kerrisdale was offered no distractions for the avid student. Squabbles with elderly neighbours about the central thermostat in the cellar of the apartment building were a daily routine.   Who knows if murder was on her mind in that dark Kerrisdale cellar, but creepy cellar-like torture chambers with devilish spirits are abundant in Evangeline, which was partly shot at UBC. The campus eerily made headlines for unsolved sexual assaults, which happened throughout 2013. The supernatural revenge fantasy deals with freshman Evangeline (Kat de Lieva), who is missing after hanging out with an enigmatic, violent fraternity leader (Richard Harmon) and his pals. Beaten and left for dead in the woods, Evangeline finds herself trapped in a supernatural nightmare, and starts a violent quest to avenge her perpetrators. In spite of a brutal storyline and mesmerizing visual effects, the film is not mere entertainment for the bloodthirsty. It asks the question whether it is better to turn the other cheek or...