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SFU’s Faculty of Environment is pleased to invite you to a talk and discussion about the sustainability of forests in BC featuring guest speaker Herb Hammond, a forest ecologist and forester with Silva ecosystems Consultants. Ken Lertzman a professor in SFU’s School of Resource and Environmental Management (REM) will respond to the presentation before moderator and professor Sean Markey (also in REM) opens the conversation to the audience. Title: Are We Managing BC Forests in Ecologically and Socially Responsible Ways? When: February 21, 2018 7-9pm Where: SFU Harbour Centre, Room 1400, 515 West Hastings Reservations: This talk is free and open to everyone. Reservations are recommended as seating is limited. ReserveMySeat...

Vancouver Regional Heritage Fair 2017, held on Saturday May 20, 2017 at Kerrisdale Community Centre, was something that Vancouver, and Canada, should be proud of.  Under the visionary leadership of Janet Moley at Vancouver Regional Heritage Fair, families, educators, and communities worked together in partnership to support children’s learning and to nurture their fundamental sense of self. We witnessed firsthand how art connects us together and affects culture and community. “Meet” the future world changers in this short highlight video prepared by Vancouver Arts Colloquium Society. Film credit: Syed Mustafa (UBC, Film Studies)...

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BY JAMIE ZABEL PHOTOS BY SYED MUSTAFA *Permission to reprint granted by the Vancouver Arts Colloquium Society Most of us feel like we have a certain amount of stake in the future of the coming generations. We want to leave our world, the future world of our children, in good enough shape to allow them to live well and in comfort. This depends so much on the children that are right now entering elementary and middle school, the future world changers and earth shakers. This being so, we pay a great deal of attention to what the generations behind us are doing and how they are acting. Undoubtedly, it was like that for the generations that came before us as much as it is for us now. So, who are these children that are entering the school system, the ones that will one day become our doctors, lawyers, and Prime Ministers? I’ll confess, after my brother left middle school a few years ago, I’ve been quite disconnected from that age group since most of my cousins are already grown. This is where the Vancouver Regional Heritage Fair was so enlightening and, I may say, uplifting. Before I continue with this thought, however, I feel it might be useful to give a bit of context to the event in which I and the students participated. The Vancouver Regional Heritage Fair is part of an initiative run by the BC Heritage Fairs Society affiliated with Canada’s National History Society, Heritage BC, and under the patronage of the Lieutenant Governor of British Columbia. Their main goal is to create an environment in which students have the opportunity to learn and get excited about Canada’s history and the Canadians that made our country what it is today. The...

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BY TATIANA ZAMORANO-HENRIQUEZ *Permission to reprint granted by the Vancouver Arts Colloquium Society Over the years the integral humanizing qualities of humanity have become almost non-existent, as our economic model is responsible for prioritizing monetary endeavours rather than the arts. Theses values have fragmented our way of being and devalued the arts as art has now become commercialized for profit and disconnected from our culture.  This almost irreversible divide has hindered our relationships with others and ourselves as it has detached us from our histories, cultures and knowledge.  The formation of this divide has left us stranded and we have become like a wave of sailors trying to navigate the seas without a compass where we have not only lost our sense of direction but also our purpose. However, art has the power to steer us back in the right direction as it illuminates our path by reconnecting us with our origins, which allows us to embrace diversity, and knowledge that then has the potential to lead to community. The world carries with it a kaleidoscope of art forms and rooted within them are diverse cultures that are entrenched with an array of histories and knowledge that shape our values. This is paramount as it is our values that construct the stories that we relay to others and ourselves about what is important. Therefore, it is these values that shape not only who we are as human beings but who we will become and the responsibility we hold to the future generations. Values create empathy and it is this compassion that allows individuals to embrace new cultures and form profound and intricate relationships that have the power to produce viable communities where culture becomes a way of life.  This is why art is integral...

Photo from news.ok.ubc.ca ARTICLE BY ADELE MCCANN Creativity is an illusive and mysterious thing. It is difficult to pinpoint where a great idea comes from and the process by which it comes into being. I had the pleasure of a conversation with UBC Okanagan Professor Liane Gabora to discuss her theory of creativity and her exploration into this area. She stated that creativity is best known as the process that fuels the evolution of culture. We might consider that a flower could inspire a song, which in turn might inspire a painting, which then goes on to inspire the invention of a certain kind of paintbrush, and so on. Creativity is a constantly evolving and adaptive thing that is constantly driving humanity’s evolution and adaptation to the world. However, Liane’s Honing Theory posits that it is not the creative outputs of a painting or a song that comprise this evolutionary process, but rather our own worldviews that give rise to creative processes. It is our perspectives that are evolving and regenerating and art is a visible manifestation of this underlying internal change. There are two components of the process by which these worldviews evolve: communal exchange and self-organisation. Communal exchange involves interaction with other elements of your world – very often people. You assimilate these interactions and that affects your worldview – your internal web of understandings about the world and your place in it, the driving force behind your creative output. Consider you might see a monkey eating a banana at the zoo and are inspired to create a cartoon about monkeys. You cannot create anything new for the world until you have interacted with what is already there. It is in this way that we can evolve a creative idea by talking...

By Tatiana Zamorano Photos by Syed Mustafa Permission to reprint granted by the Vancouver Arts Colloquium Society Community is necessary and a crucial element that society requires in order to thrive as community has the power to create culture and sense of belonging, which produces unity amongst individuals and fosters compassion for one another, that then contributes to the wellbeing of individuals and the regeneration of sustainable communities. However, over the years the values and dynamics of communities have changed due to the framework that encompasses us, which has worked to generate a society founded on profit and individualism. This urbanized society has increased the levels of social isolation and self-interest within our societies, which has broken the necessary bonds needed to keep community and culture alive and thriving. So the question that remains is how can we combat social isolation and reignite sustainable communities? Well the Vancouver Arts Colloquium Society (VACS) believes that art is a central tool in creating this vision of sustainable community as, art is rooted in culture which has the capacity to bind people together through profound relationships, that produce bounded solidarity amongst community members that then incites change and builds strongly connected communities.  Therefore, through VACS’s mission art has played a pivotal role in building community and in nurturing and cultivating culture, which VACS wanted to share with the public but not solely through their initiatives. Instead VACS wanted to take their idea centered on the vitality of art even further and focused on how they could relay this revelation of art to others in order to make others comprehend their vision in which art is an essential component in generating sustainable communities and culture. However, the hurdle that stood in their path was formulating a method that...

By Susan Tsang Photography by Kenta Moike John Yan—an aspiring violinist and an UBC integrated science major—arrived at Vancouver Arts Colloquium Society (VACS) office on a Monday afternoon, accompanied by an electric violin after his practice session. Before his interview, he played a little to show how the electrical instrument differentiates from the traditional violin. He explained that playing both of the instruments are the same, but their sounds vary because the electric violin would only come to life with the amplifier. Even though the electric violin barely made any sound, John could not help but fiddle with it.  John playing the electric violin mirrored his first experience with the violin thirteen years ago. “I don’t know (why I liked the violin, because) in the beginning, I didn’t even make any sound. I just felt it was pretty cool.” John had embarked on a soulful path with music in a more or less ordinary way: his parents wished that their child would learn an instrument. Under their encouragement, John fell into the embrace of music briefly before piano proved to be a chore. Fortunately, violin was challenging but fun. “Violin is definitely my go-to instrument,” said John. He was grateful that he would have a chance later down the road to share his music and knowledge with other young kids who might not had the same opportunity as he did. His chance arrived when he was going through his toughest time adjusting his lifestyle to the university life during the first year.  John expressed the challenges of playing violin after graduated high school: “I joined the UBC Orchestra. Since I’m not a music major and didn’t know many people, I felt a disconnection between me and them.” He needed the human connection in the...

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By Susan Tsang At one thirty-eight in a clear May afternoon, steady streams of nine to twelve-year-old students participating the Vancouver Regional Heritage Fair filed into the Seniors’ Lounge at the Kerrisdale Community Centre. They were all armed with folded poster boards that were half their sizes and equipped with presentation models that they had prepared for months, ready to present their research topics on Canadian history to the visitors. The visitors’ questions and the presenters’ answers outperformed each other generating an escalating hum like rushing water. At the edge of the floor, I met Elwin and the story of Hudson locomotives of the Canadian Pacific Railway (CPR) from the nineteenth century.  After detailing the origin and contributions of the trans-Canada railroad, Elwin said, “We need to pass knowledge on. How would anyone know the steam engines existed if we don’t pass it on?” A question immediately rose to my mind: why do we need to impose our history onto someone else? Steam engine is an old technology, why do we bother to learn about it? It seemed like it has a commonsense and straightforward answer, but I wanted to take the opportunity of being at a history event that allows me to dig answers from our young generation. I, too, had a research question and wandered through the corridors of the past.   Elwin with his Royal Hudson project. As I was getting lost in my thoughts, the lively presentations invited me to learn about the residential schools, Cirque Du Soleil, and the evolution of the Canadian stores. My editor also suggested to me to have a conversation with Isaac and the blacksmiths. Right away, Isaac asked me what I had already known about blacksmiths. He then invited me to do a simulation...

By Sean Yoon A lifestyle that promotes healthy living by integrating nature into our daily lives, permaculture is an ongoing dialogue in our community. Last summer, Vancouver Arts Colloquium Society, or VACS began its permaculture project around Vancouver called placemaking, transforming public spaces like front boulevards into gardens. One of these spaces was a front boulevard site converted into a pollinator garden on 23rd and Mackenzie.  VACS has begun a new permaculture project for this year called Permaculture InAction. As one of the project’s leaders, Patrick Colvin was born and raised in a small city in Northern Ontario. He then went on to complete his bachelors of honours in engineering at Queen’s University in South Ontario. Throughout his degree, Patrick was discovering and wanting to address issues that are currently afflicting our society. In particular, he was concerned with the environmental issues arising from the chemical industry, which in many cases, has produced chemical waste destructive to our environment. The city of Sarnia in Southern Ontario for example, close to where Patrick studied, is a region that is host to numerous chemical facilities. And in Sarnia, there is a river called the St. Clair River that has a history of having chemical waste being dumped into it by local chemical facilities. The St. Clair River is currently still being listed as an area of concern because of chemical pollutants.  “Permaculture is interesting because it provides an alternative way of thinking. It’s a different way of looking at what we do as a people on the planet. It brings together plants, our land and us as stewards of the land – it allows us to reimagine this world that we live in. For me there’s a lot to learn about and I feel like I...

By Lara Boleslawsky While Upcycling may be a new comer on the sustainability scene, it is unjust to simply call it a trend. Upcycling is a way of life. Upcycling breathes new perspectives, new ideas, new life into everything it touches. But what is Upcycling?          Just ask Colleen Rhodes, the creative and executive genius behind Meins Designs, a local sewing business that promotes Upcycling in the fabrics of its design.          “Upcycling to me means taking something that you would normally throw away and making it into something new. It means making something new out of the old,” says Colleen. To showcase this amazing new concept, Colleen will be participating in the new Skill Share series; a new and exciting community engagement project brought together by the Vancouver Arts Colloquium Society. Colleen and Skill Share have partnered in order to promote and teach local communities about the social and environmental impact of Upcycling.        Skill Share is an initiative centered around the mandate that everyone has a skill, an art, a talent that they can nurture and grow and eventually develop for the purpose of teaching others. Colleen is one of the featured artists in Skill Share, as she will be teaching and supervising sewing workshops, all of which circumvent the main theme of Upcycling. The workshops take place once a month, with each catered to a specific project. These include: leg warmers made from an old sweater, skirts made from unused jeans and wine or produce bags made from unwanted shirts and sweaters.          “You don’t need to get everything brand new. Today everyone thinks the bigger the better, but it doesn’t need to be that way,” Colleen remarks. Through ‘Upcycling’ unused, and perhaps even unloved, clothes becomes re-purposed and...

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By Lara-Sophie Boleslawsky (Vancouver Arts Colloquium Society) Photos by Noriko Nasu-Tidball Walking in, one is greeted by a jovial atmosphere; the afternoon sunlight filters into the room, illuminating the dark wood of the piano at the front of the room. There is a small buzz, with the audience waiting in anticipation for the concert to begin. We begin with the classics: Jane Perrett’s soprano voice is soars as she sings ‘Quando Me’n Vo’, teasing her lover as Musetta in Puccini’s La bohème. It is then Gerard Satamian’s turn to take the stage, and the tone immediately shifts as he laments love in Poulenc’s heartbreaking ‘Les chemins de l’amour’. Each performer embodies not only their respective characters, but also the songs themselves. It is a truly magnificent spectacle, and the brief intermission is needed, if only to refresh after the emotional outpour of each performance.      Indeed, we are treated not only to Jane Perrett and Gerard Satamian’s brilliant voices, but also to breathtaking piano instrumentals by Jane’s son, David. Performing classics such as Chopin’s ‘Prelude in B Minor’ and Beethoven’s first movement of ‘Leichte Sonate in G Major’ he brings a voice to these songs, flitting about the room as if truly alive.      Following the intermission is a brief performance by mezzo soprano Ayako Komaki. She beams brightly before beginning her performance, only to transform before our very eyes, becoming the tragic Queen Dido, mourning her own lamentable future whilst singing ‘When I am Laid in Earth’. The intensity present in the room soon reconstructs, with Jane Perrett’s rendition of the classic Disney tune, ‘When You Wish Upon A Star’, whereupon everyone is urged to join in. Continuing along this nostalgic frame, Gerard Satamian ends the concert with ‘If I Were A Rich Man’...

By Sean Yoon Photos by Noriko Nasu-Tidball Born and raised in Kerrisdale through the late 70s, Dr. Krishna Pendakur can be described as someone whose work speaks about his passion towards helping this country, this city he grew up in and this world in which economic inequality represses the poor. Dr. Krishna Pendakur is currently a professor of economics at Simon Fraser University. His work in economics fundamentally seeks to develop a toolkit to describe and measure efficiently the landscape of social issues impacting our well-being such as economic inequality, discrimination, and poverty.   It was during his bachelor studies in sociology at UBC when Krishna ventured towards a 4th year course title in economics which was welfare economics. This course introduced the economic aspects to the issues of social welfare and economic inequality that Krishna had been interested in for a long time. His interest in economics grew, eventually leading to his doctoral studies at UC Berkeley. Krishna’s research at the time was focused on the distribution of income vs. the distribution of consumption and on the measurement of household characteristics such as the cost of raising children, which you need to know in order to measure the distribution of income or consumption. In particular, if you want to measure inequality and the data you have is household-level data, then you need to have some way of comparing apples and oranges, like families with children to families without children. They have different needs so if they have more money it doesn’t mean that they’re better off; you have to have a way to scale or deflate household incomes per household characteristics.   Much of Krishna’s research was done in collaboration with his brother Dr. Ravi Pendakur, a professor in the Department of Public...

By Chris Kay Photo Courtesy of Chris Kay The word community is one we hear frequently in the news and in our personal lives. In Vancouver, we might read a story that mentions the business community or the artist community. A controversial development is sometimes said to be opposed by the local community. We even have a network of buildings across the city called community centres! Clearly community is an important thing. So what exactly does it mean? It turns out there is no single definition of what a community is. But people who study communities have come up with a few ideas. Many communities we experience are groups of like-minded individuals, or people with a common practice. The running group you meet every Thursday evening or the knitting circle that you attend every Saturday afternoon are communities, based on common interests. There are also communities related to our vocation. We might feel part of a community of medical professionals in a hospital, or a community of small business owners on a particular street. For example, in my work I’m part of a community of scientists. In my neighbourhood I’m part of a community of gardeners. These communities tend to evolve naturally as we find people who do the same things we do. When people spend time together through hobbies or work, they tend to become familiar with each other. But people who don’t know each other also form communities, sometimes connected by their identities. The community of a specific race or religion may share common needs, challenges, or beliefs that bring them together for advocacy, even if they don’t have specific activities in common. In this sense, a diverse place like Vancouver has many communities of identity, overlapping in countless ways. As a...

By Katherine Dornian Photo Courtesy of Bhavna Solecki Therapist, businesswoman, activist, healer, philosopher – it’s difficult to pin down an exact title for what Bhavna Solecki does, since her work is all-encompassing enough to defy simple description. As the founder of Inner Evolution Healing Centre and now as a member of the planning committee for the Kerrisdale Permaculture Garden, Bhavna seeks to foster mental, spiritual and community balance in everything she does. For the past 15 years, Bhavna has run her holistic practice with the goal of building communities around the pursuit of “mindfulness” – the harmony of the mind, body and soul achieved through healing foods, meditation, exercise, and other curative pursuits. Though she holds a BA in psychology, her practice is primarily based upon Shiatsu and ancient Indian and Chinese medicine. It also features a significant amount of spiritual counselling, which she believes is directly linked to mental and physical health. “Doctors may try to take away pain,” she tells me. “But you cannot do that unless you first identify its source.” Because of this, Bhavna finds that therapy becomes a very immersive experience; she cites the paramount importance of fostering relationships with her clients, putting empathy at the forefront of her approach to healing. “If you don’t feel it, you can’t help,” she says, and makes a point of telling me that she uses the word “help”, not “treat”. Her process must be team effort with the individual, who must be willing to fully participate. Since she gives full autonomy to her patients, she trusts that they will take that step towards healing when they are ready, at which point she is truly able to help them. It is this act of trust that Bhavna states is one of the most...