By Keiko Honda Community Engagement Chair, Kerrisdale Community Centre Society Why Needs A Collaborative Garden in Kerrisdale? Who Needs? How do we build a community through a garden? Why Permaculture?  These are the kinds of questions I have been often asked by our staff and kCC board members, while the Community Engagement Committee has been spearheading the Kerrisdale Permaculture Garden project with the core team of visionary community collaborators and volunteers since last summer.  It is always good to remind ourselves that community is built best through using our bodies and hearts together – sowing, planting, digging, sweating, singing songs, harvesting, eating together, sharing poems, and handing things to each other. That is how the community is build. As we create together, it reflects us all. As such, the Kerrisdale Permaculture Garden is the act of creating a shared vision based on a community’s needs and assets, culture and history, and local sustainability. Every community, every school, and every household needs a garden. Simply put, the benefit of the garden is creating a social capital and a source for healthy foods.  Permaculture is about becoming conscious. Permaculture guides us to mimic the patterns and relationships we can find in nature. At the heart of permaculture is creativity and the ability for people to adapt and evolve in light of the conditions of modern life. We can say that a garden is a reflection of permaculture – its the integration of everything. A garden will be memorable, beautiful, functional and resilient over time because it integrates all these different considerations.  Kerrisdale Community at large desperately needs opportunities to renew our connection to nature and its aesthetics, create resilient communities, and empower children to both survive and thrive. As there is no space and culture at the centre that explicitly fosters the constantly growing and evolving global movement based on an ethical...

By Chris Kay Photo Courtesy of Chris Kay The word community is one we hear frequently in the news and in our personal lives. In Vancouver, we might read a story that mentions the business community or the artist community. A controversial development is sometimes said to be opposed by the local community. We even have a network of buildings across the city called community centres! Clearly community is an important thing. So what exactly does it mean? It turns out there is no single definition of what a community is. But people who study communities have come up with a few ideas. Many communities we experience are groups of like-minded individuals, or people with a common practice. The running group you meet every Thursday evening or the knitting circle that you attend every Saturday afternoon are communities, based on common interests. There are also communities related to our vocation. We might feel part of a community of medical professionals in a hospital, or a community of small business owners on a particular street. For example, in my work I’m part of a community of scientists. In my neighbourhood I’m part of a community of gardeners. These communities tend to evolve naturally as we find people who do the same things we do. When people spend time together through hobbies or work, they tend to become familiar with each other. But people who don’t know each other also form communities, sometimes connected by their identities. The community of a specific race or religion may share common needs, challenges, or beliefs that bring them together for advocacy, even if they don’t have specific activities in common. In this sense, a diverse place like Vancouver has many communities of identity, overlapping in countless ways. As a...

  By Leonni Antono             “Cities have the capability of providing something for everybody, only because, and only when, they are created by everybody.” – Jane Jacobs             Guest speaker Jim Diers draws on his past experience as the Director of Neighbourhood Development in the City of Seattle to highlight the importance and viability of neighbourhood empowerment in improving quality of life and solving community problems. By examining the existing crises – such as economic, social and environmental – he explains the reasons behind people’s estrangement from their communities and thus posits that a strong local community is the essential basis for change, which begins with community involvement in neighbourhoods, leading eventually to a collaborative effort from both the government and groups of individuals in order to promote sustainable asset-based development at a community level.             Delving into the main reasons behind the divide between the government and the individuals of society, Diers sheds light on the various roles that can be played by both parties respectively, and concludes that in order to engage the government in the community, it is indispensable to change the government and how it views its citizens. Ideally, the government “supports the community to work on its own priorities through its own associates”, and the citizens in this case become what Diers calls the “producer”, which implies people’s involvement in and contributions to changing the community for the better. In the words of Diers, people nowadays have forgotten about the role of community. Due to this, many human resources are squandered and not utilized.             However, the aforementioned crises have made people more cognizant of the importance of neighbourhood, and to change the community for the better – to solve societal issues like safety, etc. – it is requisite...

    Hi all – Neighbourhood Small Grants and Greenest City Neighbourhood Small Grants 2016 is launching in one week on Monday February 15th! Please find more information and apply online atwww.neighbourhoodsmallgrants.ca And please help us spread the word! The deadline for applications this year will be Monday April 4th.  This means you’ll have a full 7 weeks to get your applications in. We look forward to seeing all of your ideas! As always, please review the application guidelines carefully before applying. If you have any questions or need help with your application, please don’t hesitate to email me at faithg@kitshouse.org Faith Greer | Coordinator of Volunteers Kitsilano Neighbourhood House 2305 West 7th Avenue, Vancouver, BC   V6K 1Y4 P:  604 736-3588 | Ext. 124...

Copies of “The Limited Edition” are now available for $10 each.  You can now reserve your copy by calling 604-257-8100 or email to hondakeiko@gmail.com, and pick up at the Kerrisdale Community Centre reception desk during 2016. First-Come, First-Served!   Acknowledgements    “Three years on a stone (will make a stone warm)” is the Japanese proverb meaning that perseverance will win out in the end. THE KERRISDALE PLAYBOOK RE-COLLECTION is the celebration of cultural transformation with our last full four years of continuous convivial “conversation” with the community. In this limited edition, we have selected 16 articles out of over 150, which represent a unique expression of the life force coursing throughout our community. Acknowledgments almost always begin by saying there are countless people to thank. This is particularly true this time. I want to thank all of the people, the interviewees, and readers over the past four years who have contributed to the Kerrisdale Playbook for great conversations. They have all inspired me. In particular though, I want to thank my team comprised of the 30 devoted young and the young-at-heart over the last four years. They all have brought their wholehearted work and created a new culture – the equivalent of what Barbara Ehrenreich would call – “Dancing in the Streets.” The new culture is symbolically a collection of community stories that evoke joy and exuberance in taking time to appreciate what’s around us, finding connections with people and nature, and expressing creativity in everyday life. Each and every article has offered a genuine, life-affirming and community-engaging conversation that allows us to find joy in the other fellow. Bravo to the team and what a pleasure to work with all of you! Of course I want to thank the Kerrisdale Community Centre Society...

By Sean Yoon Photos by Noriko Nasu-Tidball     If I were to ask you the question, “What is sake?” How would you respond? I think the prevailing image in most of our minds would be of something poured from a small, slender flask container called a tokkuri into small cups to drink exclusively with Japanese cuisine at a Japanese restaurant. This is arguably the more traditional image of sake, but rejecting this image and pouring sake from a Bordeaux style wine bottle instead is Masa Shiroki, an artisan sakemaker based in Granville Island. To Masa, sake is wine and it can be enjoyed in many different settings, not just as an accompaniment to Japanese cuisine. “I wanted people to consider sake as wine because it is called rice wine in the first place and people know that. Every time I ask the question to people, ‘So how would you translate sake to English?’ People pause for a second and reply, ‘It’s a rice wine right?’ You just said it. It’s a wine. So think of the sake I’m pouring for you as wine and in order to do that, I thought it would be important to change the image of sake visually, so I decided to use Bordeaux style wine bottles. At his store in Granville Island which is titled, “Artisan SakeMaker,” Masa currently produces fresh domestic premium sake called “Osake,” sourcing purely local ingredients from BC and is the first of its kind in Canada. The rice used for the sake is grown on leased land with partnering farms in Abbotsford and South Surrey, totalling 16 acres of farmland. Sustainability is a major concern for Masa, who takes special care to ensure that all of the sake being produced under his business...

  Announcement     Dear Kerrisdale Friends,  KCCS Community Engagement Committee is delighted to announce that we have granted the Park Board permission to move ahead into the detailed design phase of “Kerrisdale Permaculture Garden (tentative name), which was proposed to be located in the south-west corner of the Kerrisdale Community Centre building (5851 W. Blvd.) near the playground. We are in the process of team building and community involvement prior to the anticipated official approval in January 2016. Kerrisdale Permaculture Garden, will be a collaborative garden and maintained collaboratively by the KCCS Community Engagement and Garden committees, community volunteers and our community partners including, but not limited to, Vancouver Edible Garden Society (VEGS), Vancouver Arts Colloquium Society (VACS), Frisch Farms, Southland Farms, and Kerrisdale Lumber. We will be hosting several public meetings in the next coming month. We need your involvement. Please stay tuned. Thank you,  KCCS Community Engagement and Garden Committees (Chair: Keiko Honda) About the naming,,,,, Permaculture garden emulates patterns in nature. The three ethical principles of Permaculture are as follows: Care of the Earth  Care of People  Return of surplus to Earth and people (also called “Fair Share”)  The ancients knew that humans needed community. All living things are interdependent on each other, including people. We humans are communal and social animals, and just like the rest nature. When we share our surplus produce, when we share our skills, knowledge and experience, these actions builds bonds between people which all works to foster a sense of stable collaborative...

By Jasmine Teng Photogtaphy by Jasmine Teng The WaterMe project is created by Jasmine Teng, a high school senior at Crofton House School. Jasmine grew up in Shanghai and moved to Vancouver five years ago. Ever since then, she has been an active member of the community and student at her school. Strongly connected to nature and the environment, Jasmine has always wanted to contribute to the community by bringing a little green into the city. Jasmine Teng is very involved in her school; she is a student leader and an active member of numerous extra-curricular. As it is her final year in high school, Jasmine has set a goal for herself to be more active in her community outdoor the ivy walls of Crofton House. With her involvement in local senior homes and this project along the way, Jasmine Teng hopes to leave an impact in her community before she goes off to college. Currently in her grade twelve year, Jasmine is putting together an art portfolio for college applications. Interested in both creative and academic aspects of design, Jasmine hopes to study both facets in university which consequently is actually how the WaterMe project came about. The WaterMe project was originally created in response to a prompt of an admission challenge. The prompt was to created a three-dimensional gift that demonstrated human spirit. When the word “gift” came to mind, Jasmine immediately thought of an interactive project. Being a student leader at her school, Jasmine has always been involved with her community. In her grade ten year, Jasmine was part of an outdoor education program at her school in which she spent a lot of time in nature and its surroundings. Ever since, Jasmine has tried to keep a conscientious mind and incorporate...

  By Sean Yoon   Having been invited by artist Colleen McLaughlin Barlow to attend the opening of her latest exhibition, “Whale Dreams” on September 30th, 2015, I arrived at the UBC Beaty Biodiversity Museum mindful of images I had seen of her work through her website. So in a sense, before I walked into the exhibition, I carried preconceived ideas of what I was to see and experience. The exhibition turned out to be highly different from what I expected, in a visually heightened, enlightening way to be able to experience her artwork in person. In particular, I recall being fascinated to observe the guests engaging with her art by taking pictures, conversing about her artwork in groups, as well as participating in some of the activities set up in the exhibition such as a drawing station where guests are instructed to draw blind contours of whale bone structures set up in front of them. Just as the Beaty Biodiversity Museum emphasizes how important the interconnectedness, or connection between human beings and nature is, Colleen’s art revealed a similar vein of thinking as we the spectators are made to contemplate the whale bones not just as one animal’s remains, but as a spectral symbol of our own mortality, our own bones residing within us. The exhibition provides an excellent opportunity to experience this in person, as well as check out the huge 26-metre long blue whale skeleton suspended in the museum’s atrium. If you have the chance, I would definitely recommend taking the time to visit the exhibition at the Beaty Biodiversity Museum in UBC before it ends on February 14th, 2016.   October 1, 2015 – February 14, 2016 Beaty Biodiversity Museum 2212 Main Mall Website beatymuseum.ubc.ca  ...

By Sean Yoon Photos: Sean Yoon/Alan Peng/Kenta Motoike/Chris Kay/Glen Phillips   When I turned into Christopher Kay and Glen Phillips’ neighbourhood on the 25th of July, I got a chance to look at how exactly placemaking (converting public space like boulevards into unique spaces of creativity) would go on to impact and shape communities. On the converted boulevard in front of Chris and Glen’s duplex is a sitting area with two worn lawn chairs and a bright red parasol, along with tree cover above to hide from the sun. Right beside the sitting area is a strange hedge figure in the shape of a bear, adding a sense of quirkiness to the area and in front is a raised bed with a spot reserved for a dinosaur sculpture in the shape of a stegosaurus. Before the interview took place, I was able to relax in one of those chairs for a few minutes and I got the sense that it would be an excellent place to hang out on a hot summer afternoon. For Chris and Glen, the sitting area came to be characterized as a common room space shared with the neighbours where they could just hang out and socialize. I was able to recognize the friendship between Chris, Glen and their neighbours as a group of residents sat on the curb outside their homes, watching the interview take place and occasionally conversing with us.   Moving from Yaletown to Kitsilano two years ago, Chris is a scientist in genetics striving for a PhD, while his partner Glen is a business owner coming from a business and science background. It was last winter back in February when Chris said to Glen, “We’ve got to do something weird. We’ve got to do something really...

By Sean Yoon Photographs: Sean Yoon/Alan Peng/Kenta Motoike   Situated within a ten minute drive from Kerrisdale Community Centre lies Southlands Farm, a rare plot of the last remaining class 1 agricultural soil in Vancouver. Being a much needed break away from the bustling noise of the city, I was pleasantly surprised when I found that Southlands Farm was not traditional in the sense where crops are grown in rows, but was instead highly efficient in the form of a polyculture space raising chickens, horses, ducks, honeybee hives; as well as integrating within the space a wide variety of produce such as apples, grapes, chicken and duck eggs, tomatoes, lettuce, kale, rhubarb, basil and other herbs. Feeling at ease among the sounds of people chatting, chickens running around and delightful atmosphere of the farm, I had the opportunity to walk around the farm and talk with Jordan Maynard, who is a manager and co-owner of the farm with his family.   Before I set out for the interview, while I was looking through the Southlands Farm website, I discovered that the conceptualization of Southlands Farm began in 2008 with a simple, but highly significant vision, which was and continues to be, “to farm in a sustainable way that could demonstrate to neighbours that true food security was possible within the city.” This statement raised some questions to my mind, such as what does food security mean and why is it an important concept to keep in mind in the context of Vancouver as a city? Jordan eloquently explained to me the concept of food security in Vancouver below.   “Food security is about having access to good food and in Vancouver right now and especially with the drought in California, we don’t have a...

  By Sean Yoon Photo Courtesy of Colleen McLaughlin Barlow   Despite exhibiting artistic talent early in her childhood, artist Colleen Barlow had been channeled towards becoming an English teacher or journalist by her family based upon her aptitude in reading and writing with the idea that an education should lead to a job. Colleen would follow this thought process throughout the early stages of her education, going on to pursue a bachelor’s degree in journalism at Carleton University in 1976. What she encountered in studying journalism was that the field of journalism quickly proved to be an extremely rigorous and competitive environment as Colleen recalls, “Fifty percent of your mark in 3rd year reporting was running the C.B.C. News Room for one afternoon in Ottawa and you were being watched by professional journalists who at the end of the day, would say whether you passed or not. You might’ve been working for three years on a degree and you could have just been cut right then.” Ultimately surviving the competition, Colleen began her career as a journalist at the age of 21 after graduating in a class of only 42 students from a starting pool of near 400 first year students.   The stress that came from a rigorous, competitive environment would persist throughout Colleen’s career as a journalist, which culminated in instances where her moral values were skewed negatively. Colleen recalls a particular instance of this phenomenon stating, “It’s very stressful and you start to get some very odd values like I actually remember being in a war zone in the Bekaa Valley. Nothing had been happening for about three or four weeks and then suddenly there was some skirmishing going on and I thought to myself: ‘Great we’ve got something for...

  By Kenta Motoike   Purpose and Overview  The goal of the intergenerational creativity project, led by Vancouver Arts Colloquium Society, is to strengthen the connection between youth and seniors through the sharing of their experiences and stories in a collaborative manner. These stories and experiences are conveyed and expressed through multidisciplinary formats in order to facilitate interactions between youth and seniors. The project chose “placemaking” as multidisciplinary format to inspire people to collectively reimagine and reinvent everyday spaces as the heart of every community, including public and semi-public spaces such as boulevards and front yards.  The Placemaking Team comprised of all ages is directed towards addressing the intergenerational and intragenerational distance faced by youth and seniors due to their differences in age, culture and experiences. While youth and seniors at times have trouble relating to each other due to their perceived differences, this distance is further exacerbated by the fact that we live in an increasingly privatised world. Public sites; places for people to converge and congregate such as parks and public parks are dwindling. This matter is compounded by the systemic tendency to prioritise personal and corporate privacy at the expense of the community. Some may say we live in a state of communal limbo, where people are in proximity to each other physically, yet we remain emotionally distant and disconnected. Large scale systematic change on society is daunting yet achievable, but it must begin locally with a social ripple. The article intends to elaborate on the progress in the Placemaking Team through the process involved in the completion of one boulevard located near 23rd and McKenzie St, namely Oliver’s boulevard. Concept and Execution On Sunday March 31st, work on Oliver’s boulevard commenced, however prior to actually working on the garden itself,...

By Amy Cheng   This spring I had the pleasure of being invited as a participant of the Weaving History Together: Making a Collaborative Blanket project led by Vancouver Arts Colloquium Society, which is an interactive and collaborative scheme designed to bring our neighbourhood together as a community through weaving a community blanket. Not community in the way it is used to describe a target market where conversations are only grazing the surface level. I’m talking about a real community of diverse people, of all ages and backgrounds, invested in each other. With that in mind, I spoke with the project facilitator, Debra Sparrow, an eminent weaver on her vision and inspiration for the project, and some of the other participants, like myself, on the process and the significance they have found through this initiative.   “I wanted to facilitate art that both the young and the old could easily participate in, because I believe art can be created by everyone—we are all creative,” says Debra. Of her own work with textiles, Debra describes, “The art of weaving is familiar to every culture, making it an ideal tool in creating communication. Conversations and understanding can’t help but manifest across a loom.”   Also inspired by the her affectionate memory of the Kerrisdale Community Centre as a child, Debra says, “I think it would be really fun to weave stories from the threads of our experience and communicate our stories with others. Binding our stories together in creating a beautiful community blanket.” She hopes to demonstrate the way our stories reflect the knowledge and wisdom that are part of every generation. “We need to listen, then listen some more,” Debra explains. “We just have to pay attention.”   “This project will do just that. As others...

  By Amy Cheng Photos: Noriko Nasu-Tidball     With different paces of life and activities, it is far too common for different generations to live in their own so-called “separate lives,” even if they were living together. Grandparents who are usually alone during the day may feel detached from their grandchildren who are more likely to spend their time online than to interact face-to-face with their family members.    This has greatly limited our opportunities in nurturing cross-age connections and understanding. We would hope to think that the issue of a generational gap is not as prevalent. And yet, many of our activities are divided by age group, more so than ever before. How many of us have actually taken steps to consciously narrow the gap?   Vancouver Arts Colloquium Society (VACS) is taking the lead to address the growing gap by launching“Intergenerational Creativity” Project, federally funded and supported by many community organizations including our very own Kerrisdale Community Centre (KCC). This project has been created to promote mutual understanding and respect across generations through art-driven activities, and to flesh out the varying gifts and resources that both the young and the old can give one another.   On May 1st, 2015, the project officially launched its kick-off event at KCC as a pilot site where we were joined by people of all ages and background. I have been recruited to this project as youth member and I have to say, it was extremely heartwarming to see everyone seated together and genuinely shared their passion and vision about ways to transcend the limitations society has place upon us. And eager participants, such as myself, could only relished and warmed up to the many inspirations and ideas that filled the room to the brim. ...

By Sean Yoon Photos: Noriko Nasu-Tidball   On May 4th, I met with two SFU graduates, Joe Bickson and Kevin Kimoto, are founders of a zero-waste initiative called Uproot. Uproot was founded in January 2015 and by working along with three other team members: Dayna Stein, Natradee Quek, and Danielle Vallee, the initiative essentially seeks to divert 100% of Vancouver’s wood waste from the landfill, appropriating the material instead into sustainable and useful products. Significantly, the project has already produced remarkable results, having diverted over 12 tonnes of wood waste from the landfill.   First of all, Kevin and Joe recall the crucial state of mind which marked the beginning of their journey towards the founding of Uproot: “I’m not sure what the origin of this is, but we’re both very passionate about waste and the environment. I think it’s just a part of our generation, which is understanding that we need to live on this planet more sustainably. So we began with this context of, okay we want to help our environment, we like to participate socially in Vancouver and we’ve found this need which is diverting wood waste from the landfill. There’s too much wood in the landfill, what do we do about it.”   Thus with a forerunning passion towards waste and sustainability, Kevin and Joe had formed a team through a minor program at SFU called “A Semester in Dialogue” in 2014, which initiated their shareable neighbourhood project done through an innovation hub inside City Hall called CityStudio. The shareable neighbourhood project aimed to connect neighbours and reduce waste through the production of a recreational sharing library, allowing for the sharing of recreational items, such as sports equipment. The search for wood waste to construct this library began locally for...

 By Dave Wheaton Photos by Alison Verghese   A few weeks back I was given the chance to meet with the inspiring and ever-intriguing Bill McMichael. For the uninitiated, Bill played and continues to play prominent roles in several non-profit organizations across Vancouver. In addition to volunteering as the Board Vice President at the Pacific Community Resource Society, which offers social services and strives towards community development, Bill is the events coordinator for The Canada Japan Society of BC, the past President of the TESL CanadaFederation, the past President and Founding Director of the Vancouver Mokuyokai Society, and the project manager of Vancouver Yokohama Golden Jubilee. I could go on, but suffice it to say that Bill has had a tremendous impact on educational services and various communities here in Vancouver. Despite the impressive catalogue of achievements, Bill’s career came from simple beginnings. After travelling the globe in his late teens, Bill returned to Vancouver and began teaching basic literacy to refugees. Today, after having served a number of directorial and managerial roles, Bill has returned to the non-profit sector to continue doing what he loves; empowering marginalized groups to a communal level. “It’s kind of like going backwards”, he chuckles, thinking back on how it all started. “I was president of the national organization of teachers, a group that creates standards. I did that for many years and then I moved right back into the neighbourhood stuff” Bill considers his job to be the best in the world and I was eager to discover why. “There’s nothing like teaching”, he says, “My hobby is meeting other people and this is a great way to do it”                   Bill speaks with the honest energy of someone who loves what he does. He flies from...

Interviewed by Keiko Honda (Editor-in-Chief) Photos by Karney Hatch   An exciting time for urban farming and Vancouver! Prior to the upcoming Canadian Premiere of his documentary film, Plant This Movie, at Kerrisdale Community Centre in the evening of Friday, March 20th (Mark Your Calendar!), I interviewed filmmaker Karney Hatch about his incredible journey with Plan This Movie.    1. Where did the idea for the film come from? Something you knew a lot about? What attracted you to the world of urban farming as a setting for your new film? Why was it important for you to do a film about urban farming?   I grew up on a farm in Idaho, and when I was living in Los Angeles, I became aware of that city’s water issues, how they essentially steal most of their water from Northern California and neighboring states.  So then when you’re driving around the city and see all those green lawns, it doesn’t really add up.  They’re stealing all that water and not even using it to grow food.  I mean, the statistic that still freaks me out to this day is that lawn grass is the #1 irrigated crop in the U.S.  Talk about a terrible waste of resources!  So I started spending time and filming with the Food Not Lawns chapter in Claremont, a suburb of L.A., and it took off from there.  I also read Heather Flores’ book, “Food Not Lawns”, which was very inspiring as well.   2. What sort of research did you do with regards to urban agriculture movement (e.g., its history and economics, multiple stakeholders, city regulations, technology development, local economy development and marketing, community building, land use etc.) and how is this research represented in the storyline of the film?     I did quite...

    By Oliver Hockenhull  Photo Courtesy of Oliver Hockenhull         Beginning with some key definitions: 1.  The technological singularity is the hypothesis that accelerating progress in technologies will cause a runaway effect wherein artificial intelligence will exceed human intellectual capacity and control, thus radically changing civilization in an event called the singularity.   2.  Norbert Wiener, mathematician and philosopher, defined cybernetics in 1948 as “the scientific study of control and communication in the animal and the machine.”  The word cybernetics comes Greek κυβερνητική (kybernetike), meaning “governance”, i.e., all that are pertinent to κυβερνάω (kybernao), the latter meaning “to steer, navigate or govern”, hence κυβέρνησις (kybernesis), meaning “government”, is the government while κυβερνήτης (kybernetes) is the governor or the captain.   3.  The Anthropocene for the current geologic chronological epoch that began when human activities had a significant global impact on the Earth’s ecosystems.   We’re navigating rough waters, living in highly accelerated times and we haven’t caught up socially, culturally, intellectually, institutionally, economically nor ethically to the incredible capabilities of our computational technologies. It bares repeating —each of us is wandering around with the power of devices that are more powerful than the computers used to help land Apollo 11 on the moon — and what do we use them for? Typing to one another and downloading cute videos of our feline overlords. Our society and our politics are becoming increasing polarized, contentious, violent — though most of us would agree that our government system is falling to successfully manage our today let alone to envision a livable future  — and that our politicians and pundits are grotesquely over paid windbags of one sort or another — whose decisions are rarely wise. We will soon have the capabilities to realize the utopian dreams of generations — a united world living sustainability in creativity, peace &...

  By Pia Massie  Movies tell stories in the most profound way possible.  The images flicker like a fire – throwing light on the human condition.  The sound and music surround us, enveloping us in feelings ranging from pleasure to terror, depending on the genre we are in the theatre to watch.  Every frame, every picture tells a story that we read and file according to our own experience, our own individual set of associations, questions and desires.   We live in a global community of storytellers; all trying to make sense out of the ongoing chaos of our daily lives. Movies since their earliest moments have provided us a roadmap, a template of how to be.  Or not to be.  Opening a window on another point of view, whether it is from across the tracks or on the other side of the globe, movies help us understand how to live. They help us make meaning.   People have learned how to love, how to forgive, how to steal the show or start a revolution – all from watching movies. As audiences have become more adept at understanding film language, stories have naturally become more complex – speeding up, breaking apart into fragments, reversing themselves, even playing backward.   In this vast ocean of moving images, documentary films have become ever more important, ever more resonant in this quest of making sense and meaning of our lives.  Our hunger for real life stories has increased in direct proportion to the declining sense of community that all our high tech cities with their sleepless, rushing populations have fallen prey to.   This hunger for truth and shared storytelling, have given rise to a frenzy of documentation. Does an accumulation of tiny proofs : I was...